Wednesday, January 30, 2013

Tip & Quote of the Week: "A Lot, Allot & Alot"

There is much confusion over these often misspelled words. 
To be fair, I use "alot", a word that doesn't even exist, 
a lot more often than I ought to; usually when I text.

a lot [uh lot]
noun
1. lot ( def 14 ) .
Often, lots. a great many or a great deal: 
a lot of books; lots of money.

adverb
2. lot ( def 21 ) .
Often, lots. a great deal; greatly: Thanks a lot for the ride. 
I care lots about my family.


Usage note: As a noun and adverb, a lot is frequently misspelled as alot.


al·lot [uh-lot]
verb (used with object), (al·lot·ted, al·lot·ting).
1. to divide or distribute by share or portion; distribute or parcel out; 
apportion: to allot the available farmland among the settlers.

2. to appropriate for a special purpose: to allot money for a park.

3. to assign as a portion; set apart; dedicate.

Picture found here.








"Those who have seen little 
wonder a lot."

-unknown author








A Lot and Allot Usage Cheat Sheet

Word/PhraseMeaningWhen to Use
A lotA large amountWhen you want to describe an excessive quantity of something
AllotTo give or apportion somethingWhen you want to indicate that something has been assigned or doled out
AlotN/ANever


Examples:

A lot

He drank a lot of wine last night.

Her family has a lot of money.

I have been getting a lot of sleep lately.

Allot

They always allot a certain amount of 
money for their family vacation.

I will allot you 30 minutes to watch TV.

Did your teacher allot days for each child 
to bring home the class pet?

Tips

- Another helpful way to remember is to insert an adjective in between the two words, for example, a sizeable lot.

- Turn on your spellchecker, and you will see it underlines a lot.

- Remember the simple tip - it will always keep you correct in your spelling.

- Substitute "a lot" with formal words and phrases, such as "a great deal", "many", "much", "enormous quantities of" etc. If you are using a more formal writing style, "a lot" is considered to be informal (colloquial) and should be avoided in formal writing contexts.

- Learn a great deal of English grammar, and you'll be a great writer. Well, there is more to it, of course, but this is always a solid foundation that will help you to enjoy the language and all it has to offer a good writer.

Picture found here.

Also, if you're still unsure, a quiz is located here: http://www.grammar-monster.com/easily_confused/alot_a_lot_allot.htm. It's very short.

Thursday, January 24, 2013

Tip & Quote of the Week: "Eminent, Imminent, & Immanent"

These words look and sound very similiar, but mean completely different things.

eminent 
adjective

(of a person) famous and respected within a particular sphere or profession: 
one of the world's most eminent statisticians. 
• [ attrib.] used to emphasize the presence of a positive quality: 
the guitar's eminent suitability for recording studio work.

immanent
adjective 

existing or operating within; inherent: 
the protection of liberties is immanent in constitutional arrangements. 
• (of God) permanently pervading and sustaining the universe. 
(Often contrasted with transcendent.)


imminent 
adjective 

1 about to happen: they were in imminent danger of being swept away. 
2 archaic overhanging.

Picture found here.





"I have a spelling checker 
It came with my PC 
It plainly marks for my revue 
Mistakes I cannot sea 
I've run this poem threw it 
I'm sure your please to no, 
It's letter perfect in it's weigh 
My checker tolled me sew"
-- anonymous







Imminent
is an adjective meaning “about to happen.” It comes from a Latin word minere meaning “to overhang” or “to be near.”

Obama’s court pick is imminent

Pfizer Chief Says Growth Is Imminent

PSPgo Relaunch is Imminent

Bush Says No Imminent Decision on Guantanamo

Similar in meaning to imminent is the word impending, literally, “hanging over.” Unlike imminent, impending has a negative, even ominous connotation:

How do human beings react to the threat of impending catastrophe?

Teachers appeal to AG to cancel impending dismissals

Peter could not keep silent. He laid hold upon his Master, 
as if to draw Him back from His impending doom…

Anxiety symptoms – Fear of impending doom

The expression impending doom, meaning “something bad about to happen” has become such a cliché as to be the name of at least two heavy metal bands.

Picture found here.
Immanent is an adjective meaning “dwelling within.” The word is most commonly used to describe a spiritual presence. It comes from a Latin word manere meaning “to dwell within" or "remain".

Is there a hierarchy in the immanent Trinity?

God is immanent in every form and whoever 
loves God must love God’s creation.

Colossians 1:15:20 says: God has become 
immanent in Jesus Christ

The word immanent has other applications in 
anthropology and mathematics.

Sometimes even people writing about spiritual matters mix up immanent and imminent, as in these examples from a web site about the historical Jesus:

Wrong: [Jesus] did believe that this 
restoration [of a Jewish state] was immanent.

Wrong: Critical scholars argue that the 
high priest feared that Jesus’ talk 
of an immanent restoration 
of an independent Jewish state 
would likely spark a riot.

Picture found here.
Eminent means “prominent, outstanding.” It comes from a Latin word meaning “to stand out” or “to project.” Eminent people stand out from the herd because of their personal and professional qualities and achievements. In a literal sense of “projecting,” an eminence can be a hill or other high place that stands above its surroundings.

The city squares by night are breathtaking when viewed from an eminence.

BOOK REVIEW: An eminent Victorian disinterred

UN Security Council Seeks an Eminent Individual for an Impossible Job

The legal term eminent domain refers to the right of a government to appropriate private property for public use, paying “just compensation” to the owner. The public domain stands out from the private domain.

The Alameda Theater and Cineplex in Alameda, CA, 
was built on property that was unjustly seized 
by the city through eminent domain laws.

A new eminent domain law in Utah authorizes seizure of some of 
the federal government’s vast land holdings.

Picture found here.
Sources:
- #1 - http://www.etni.org.il/quotes/spelling.htm
- #2 - http://writing2.richmond.edu/writing/wweb/conford.html#eminent
- #3 - http://www.dailywritingtips.com/imminent-immanent-and-eminent/
- #4 - http://public.wsu.edu/~brians/errors/eminent.html


Thursday, January 17, 2013

Screenwriter of the Month: I. A. L. Diamond

I. A. L. Diamond.
Picture found here.
A Short Biography:

"[On June 27th, 1920) Diamond was born Iţec (Itzek) Domnici in Ungheni, Iaşi County, Bessarabia, Romania, present day Moldova, was referred to as "Iz" in Hollywood, and was known to quip that his initials stood for "Interscholastic Algebra League".

"Diamond emigrated with his family to the Crown Heights area of Brooklyn in the United States at the age of 9. There he studied at the Boy's High School, showing ability in mathematics, competing in the state Mathematics Olympiads in 1936-37, winning several gold medals.

"Diamond completed his undergraduate studies at Columbia in 1941. There he studied journalism, publishing in the Columbia Daily Spectator under the pseudonym "I.A.L. Diamond". He was editor of the humor magazine Jester of Columbia, a member of the Philolexian Society, and became the only person to single-handedly write four consecutive productions of the annual revue, the Varsity Show. As a result, upon graduation he abandoned his plans to pursue his master's at Columbia and accepted a short-term contract in Hollywood.

"A succession of limited-term contracts ensued, notably at Paramount Pictures where he worked on projects without ultimately receiving a writing credit. He then moved to Universal, where in 1944 he worked on his first credited feature script, Murder in the Blue Room. It was a year later, at Warner Brothers, that he achieved his first real success and consequent recognition with Never Say Goodbye in 1946. He worked at 20th Century Fox from 1951–55, eventually deciding to become independent.

Billy Wilder (L) and I. A. L. Diamond.
Picture found here.
"In 1957 he began a collaborative relationship with Billy Wilder on the movie Love in the Afternoon. From there, the pair had a string of hits with Some Like It Hot; The Apartment (which won an Academy Award for Best Screenplay); One, Two, Three; Irma la Douce; the Oscar-nominated The Fortune Cookie; the sex comedy Kiss Me, Stupid; and The Private Life of Sherlock Holmes. Diamond also had a hit with his 1969 solo adaptation of the play Cactus Flower into the movie of the same name.

"In total, Diamond and Wilder wrote twelve movies together over 25 years. Some of these films feature characters engaged in never-ending but friendly squabbling, such as Joe and Jerry in Some Like it Hot and Holmes and Watson in The Private Life of Sherlock Holmes. Diamond's widow claims that these characters were based on her husband's relationship with Wilder.

"In 1980, Diamond and Wilder were given the Writers Guild of America's Laurel Award for career achievement in screenwriting. Wilder had previously received the Laurel Award in 1957 for his screenwriting partnership with Charles Brackett.

"Diamond died in Beverly Hills, California [on April 21st] in 1988." (Source #1)

His Best Known and Awarded Movies:

"Love in the Afternoon"
movie poster.
Picture found here.
 - "Love in the Afternoon" (1957) - "Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy (Gary Cooper) fascinated by the daughter (Audrey Hepburn) of a private detective (Maurice Chevalier) who has been hired to entrap him with the wife of a client." Written by Ray Hamel (Source here.) 
- Won the 1958 Writer's Guild of America for "Best
Written American Comedy" with Billy Wilder.
- Nominated for a Golden Globe in 1958 
for "Best Motion Picture - Musical/Comedy".

"Some Like It Hot"
movie poster.
Picture found here.
- "Some Like It Hot" (1959) - "When two Chicago musicians, Joe (Tony Curtis) and Jerry (Jack Lemmon), witness the the St. Valentine's Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo (George Raft). They're desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk (Marilyn Monroe) who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/Daphne is wooed by a millionaire, Osgood Fielding III (Joe E. Brown). Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords." Written by garykmcd (Source here.) 
- Nominated with Billy Wilder for an Oscar for "Best Writing, 
Screenplay Based on Material from Another Medium" in 1960. 
- Awarded one of the Top Ten Films of 1959 
by the National Board of Review.

"The Apartment"
German movie poster.
Picture found here.
- "The Apartment" (1960) - "Insurance statistician C.C. "Bud" Baxter (Jack Lemmon) advances his career by making his Manhattan apartment available to executives in his company for their extramarital affairs. His boss, Jeff D. Sheldrake (Fred MacMurray), finds out and promotes Bud in return for the exclusive use of the apartment for his own affair. When Sheldrake's girlfriend turns out to be Fran Kubelik (Shirley MacLaine), a pretty elevator operator Bud likes, he is heartbroken, but accepts the arrangement." Written by filmfactsman (Source here.)
- Won the 1961 Oscar for "Best Writing, Story and
Screenplay - Written Directly for the Screen"
with Billy Wilder.
- Won the 1961 Golden Globe for "Best Motion Picture - Comedy".

"The Fortune Cookie"
movie poster.
Picture found here.
- "The Fortune Cookie" (1966) - "A cameraman (Jack Lemmon) is knocked over during a football game. His brother-in-law (Walter Matthau) as the king of the ambulance chasing lawyers starts a suit while he's still knocked out. The cameraman is against it until he hears that his ex-wife (Judi West) will be coming to see him. He pretends to be injured to get her back, but also sees what the strain is doing to the football player (Ron Rich) who injured him." Written by John Vogel (Source here.)
- Nominated for an Oscar for the 1967 "Best Writing, Story and Screenplay - 
Written Directly for the Screen" with Billy Wilder.
- Nominated for the 1967 Writer's Guild of
America for "Best Written American Comedy"
with Billy Wilder.

"Cactus Flower"
movie poster.
Picture found here.
- "Cactus Flower" (1967) - "Toni Simmons (Goldie Hawn) believes that the only reason her married lover won't leave his wife is because of the children. In truth, her lover, dentist Julian Winston (Walter Matthau), doesn't have any children. In fact, Julian doesn't even have a wife - he just tells women he does to avoid getting involved. When Julian does decide to take the plunge with Toni she insists on meeting the first wife and Julian enlists the aid of his long-time nurse/receptionist Stephanie Dickinson (Ingrid Bergman) to play the part." Written by A.L.Beneteau (Source here.)
- Nominated in 1970 by the Writer's Guild of America
for "Best Comedy Adapted From Another Medium". 

"The Private Life of
Sherlock Holmes"
movie poster.
Picture found here.
- "The Private Life of Sherlock Holmes" (1970) - "Director Billy Wilder adds a new and intriguing twist to the personality of intrepid detective Sherlock Holmes. One thing hasn't changed however: Holmes' crime-solving talents. Holmes (Robert Stevens) and Dr. Watson (Colin Blakely) take on the case of a beautiful woman (Genevieve Page) whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments. Can the sleuths make sense of all this and solve the mystery?" Written by Joel Preuninger (Source here.) Also stars Christopher Lee as Mycroft Holmes.
- Nominated for the Edgar Allen Poe Award 
for "Best Motion Picture" in 1971.
- Nominated with Billy Wilder for "Best Comedy Written Directly for 
the Screen" in 1971 by the Writer's Guild of America.

(Source #2)

His Tips on Screenwriting:

Actually, I can't find any quotes from him at all. But, I did find an interesting article via the Black List's blog. In the article, Diamond and Billy Wilder discuss how they write and make a movie. It is thought-provoking to say the least. To read 'part 1', go here.

Sources:
- #1 - http://en.wikipedia.org/wiki/I._A._L._Diamond
- #2 - http://www.imdb.com/name/nm0224634/

Also, as a treat, Billy Wilder on writing:

Wednesday, January 16, 2013

Tip & Quote of the Week: "Who, Which & That"

"You keep using that word. I do not think it means what you think it means." 
~ Inigo Montoya, The Princess Bride

I know that many people get "who", "which" and "that" confused while writing.
Here are their definitions:

who
pronoun 
1 [ interrog. pron. ] what or which person or people: 
who is that woman? | I wonder who that letter was from. 
2 [ relative pron. ] used to introduce a clause giving further information 
about a person or people previously mentioned: 
Joan Fontaine plays the mouse who married the playboy. 
• archaic the person that; whoever: who holds the sea, perforce doth hold the land.

which 

interrogative pronoun & adjective

asking for information specifying one or more people or things from a definite set: 
[as pron. ] which are the best varieties of grapes for long keeping? | 
which of the suspects murdered him? | 
[as adj. ] which way is the wind blowing?

which 
relative pronoun & adjective 
used referring to something previously mentioned 
when introducing a clause giving further information: 
[as pron. ] a conference in Vienna, which ended on Friday | 
[after prep. ] it was a crisis for which he was totally unprepared | 
[as adj., after prep. ] your claim ought to succeed, 
in which case the damages will be substantial.

that 
pronoun (pl. those) 
1 used to identify a specific person or thing observed by the speaker: 
that's his wife over there. 
• referring to the more distant of two things near to the speaker 
(the other, if specified, being identified by “this”): this is stronger than that. 
2 referring to a specific thing previously mentioned, known, or understood : 
that's a good idea | what are we going to do about that? 
3 [often with clause ] used in singling out someone or something 
and ascribing a distinctive feature to them: 
it is part of human nature to be attracted to 
that which is aesthetically pleasing | 
his appearance was that of an under-grown man | 
they care about the rights of those less privileged than themselves. 
4 ( pl. that ) [ relative pron. ] used to introduce a defining or restrictive clause, 
esp. one essential to identification 
• instead of “which,” “who,” or “whom”: the book that I've just written. 
• instead of “when” after an expression of time: the year that Anna was born.

that 
adjective (pl. those) 
1 used to identify a specific person or thing observed or heard by the speaker: 
look at that man there | how much are those brushes? 
• referring to the more distant of two things near to the speaker 
(the other, if specified, being identified by “this”). 
2 referring to a specific thing previously mentioned, known, or understood: 
he lived in Mysore at that time | seven people died in that incident. 
3 [usu. with clause ] used in singling out someone or something 
and ascribing a distinctive feature to them: 
I have always envied those people who make their own bread. 
4 referring to a specific person or thing assumed as understood 
or familiar to the person being addressed : 
where is that son of yours? | I let him spend all that money on me | 
Dad got that hunted look.

that 
adverb [as submodifier] 
to such a degree; so: I would not go that far. 
• used with a gesture to indicate size: it was that big, perhaps even bigger. 
• [with negative ] informal very: he wasn't that far away. 

that
conjunction 
1 introducing a subordinate clause expressing a statement or hypothesis: 
she said that she was satisfied | it is possible that we have misunderstood. 
• expressing a reason or cause: he seemed pleased that I wanted to continue. 
• expressing a result: she was so tired that she couldn't think. 
• [usu. with modal ] expressing a purpose, hope, or intention: 
we pray that the coming year may be a year of peace | I eat that I may live. 
2 [usu. with modal ] poetic/literary expressing a wish or regret: 
oh that he could be restored to health.

Picture found here.
Who vs. That vs. Which

Rule 1

Who refers to people. That and which refer to groups or things.

Examples:
Anya is the one who rescued the bird.
Lokua is on the team that won first place.
She belongs to an organization that specializes in saving endangered species.

Rule 2

That introduces essential clauses while which introduces nonessential clauses.

Examples:
I do not trust products that claim "all natural ingredients" because this phrase can mean almost anything.
We would not know which products were being discussed without the that clause.
The product claiming "all natural ingredients," which appeared in the Sunday newspaper, is on sale.

(The product is already identified. Therefore, which begins a nonessential clause.)

NOTE: Essential clauses do not have commas surrounding them while nonessential clauses are surrounded by commas.

Rule 3

If this, that, these, or those has already introduced an essential clause, you may use which to introduce the next clause, whether it is essential or nonessential.

Examples:
That is a decision which you must live with for the rest of your life.
Those ideas, which we've discussed thoroughly enough, do not need to be addressed again.

NOTE: Often, you can streamline your sentence by leaving out which.

Example:
That is a decision which you must live with for the rest of your life.

Better:
That is a decision you must live with for the rest of your life.


A quiz is available here: 
Picture found here.

Sunday, January 13, 2013

"Django Unchained" Movie Review

"Django Unchained" movie poster.
"Former dentist, Dr. King Schultz (Christoph Waltz), buys the freedom of a slave, Django (Jamie Foxx), and trains him with the intent to make him his deputy bounty hunter. Instead, he is led to the site of Django's wife (Kerry Washington) who is under the hands of Calvin Candie (Leonardo DiCaprio), a ruthless plantation owner." Written by BenLobel (Source below.)

I found this awesome
poster here.
Written and directed by Quentin Tarantino ("Kill Bill Vol. 1 and 2", "Reservoir Dogs"), starring Jamie Foxx ("DreamGirls", "Collateral"), Christoph Waltz ("Inglourious Basterds", "The Three Muskateers (2011)"), Kerry Washington ("The Last King of Scotland", "Ray"), Leonardo DiCaprio ("Inception", "Revolutionary Road"), Samuel L. Jackson ("The Avengers", "The Other Guys") who plays Candie's head house slave, Stephen, Walton Goggins ("Cowboys & Aliens", "The Bourne Identity") and Dennis Christopher ("Fade to Black", "Deadwood") who are Candie's right-hand men, and Laura Cayouette ("Kill Bill Vol. 2", "Enemy of the State") who plays Candie's widowed sister. Don Johnson ("Miami Vice", "Machete") and Jonah Hill ("How to Train Your Dragon", "Moneyball") show up in the funniest part of the whole movie.

Christoph Waltz (L)
and Jamie Foxx.
It was really good, I found the whole movie quite satisfying and the only problem I had with it was, it was a bit long. The soundtrack was really good. The clothing was well done and cinematography was beautiful. It was graphic, but this is a Tarantino film so you can't expect any less than that.

There is some nudity as well as graphic violence. And as far as the N-word is concerned, after the first few times they say it, it doesn't grate on you because it's obvious that for them in that time period that it is just a word they use. It's still derogatory, but it wasn't as big a deal as it is today. 

Leonardo DiCaprio.
After seeing this film, I can understand why Leonardo DiCaprio was snubbed for an Oscar nomination. Not because he didn't do a great job as a horrific villain 'cause he was fantastic, he just wasn't in the film that long. I think there could've been more scenes with him. Also, I liked his "good cop, bad cop" routine with Samuel L. Jackson, but as far as his villainy is concerned, I still think he could've been worse. I knew which moves he was going to make before he did them, so it wasn't as much of a shock as it could have been.

I still loathe the Academy for snubbing him, but at least they nominated Waltz, he was amazing. 

Samuel L. Jackson (L)
and Kerry Washington.

I wish they could've given Kerry Washington more to do, instead of just be a prisoner, but I think Tarantino was limited with what could've been done as far as what she would've been capable of doing.

Overall, a very good film and I am sure it will garner a number of awards. Also, I learned something as I watched this film; I had no idea that Alexander Dumas was black. I have all of his work (the author of "The Three Muskateers" and "The Man in the Iron Mask" to name a few) on my to-read list.

I give this movie 5 out of 5 typewriters.

I found this interview with the cast and director of "Django Unchained" 
and I wanted to share it as it is quite funny:

Thursday, January 10, 2013

Tip & Quote of the Week: Effect & Affect

Going along with the theme of commonly misspelled words, this time it is affect and effect. This is understandable: they look alike and sound alike and mean similar things, but they are not interchangeable.

affect  verb 
 - have an effect on; make a difference to.
touch the feelings of (someone); move emotionally : [as adj. ] ( affecting) 
(of an illness) attack or infect.

effect  noun
1. a change that is a result or consequence of an action or other cause.
used to refer to the state of being or becoming operative.
the extent to which something succeeds or is operative.
[with adj. ] Physics a physical phenomenon, typically named after its discoverer.
an impression produced in the mind of a person.
2. ( effects) the lighting, sound, or scenery used in a play, movie, or broadcast .
3. ( effects) personal belongings .

Found picture here.
“The action is affect; the end result is effect.”
- Barbara Wallraff, Word Court. Harcourt, 2000

Affect as a verb means "to influence", while effect means "to bring about".

Note: Effect is often used in an adjective or noun phrase:
- After effect
- Cause and effect
- Domino effect
- Greenhouse effect
- Personal effects
- Side effects
- Sound effect
- Special effect

Practise using affect and effect in a sentence:

These examples have been taken from news headlines.

1. Smoking legislation to affect drivers

2. 5 Facebook rulings that affect what Canadians can do online

3. Cardamom crops affect forests, studies say

4. Changes in the temperature of foods can affect taste intensity

Test yourself by rewriting these headlines using the word effect.

Sentence #3 has been rewritten about the end results instead of an action and is used as a noun: The effects of cardamom crops are detrimental to tropical forests.
Picture found here.
Affect as a noun

On rare occasions, affect is used as a noun in reference to a person’s mental state or display of emotion.

For example, when speaking about a depressed patient’s emotional response to stimuli you might say they showed a flat affect to stimuli.

Effect as a verb

When used as a verb, effect means having the power to bring about or to accomplish something. This is similar to its meaning as a noun ("end result").

Example: the principal wanted to effect a change in the school’s curriculum.

Picture found here.

Wednesday, January 9, 2013

"Les Misérables (2012)" Movie Review

"Les Misérables" movie poster.
"Based on the novel by Victor Hugo, 'Les Misérables' travels with prisoner-on-parole, 24601, Jean Valjean (Hugh Jackman), as he runs from the ruthless Inspector Javert (Russell Crowe) on a journey beyond the barricades, at the center of the June Rebellion. Meanwhile, the life of a working class girl (Anne Hathaway) with a child is at a turning point when she turns to prostitution to pay money to the evil innkeeper and his wife (Sacha Baron Cohen and Helena Bonham Carter) who look after her child, Cosette (Isabelle Allen). Valjean promise to take care of the child, eventually leads to a love triangle between Cosette (Amanda Seyfried), Marius (Eddie Redmayne) who is a student of the rebellion, and Eponine (Samantha Barks), a girl of the streets. The people sing of their anger and Enjolras (Aaron Tveit) leads the students to fight upon the barricades." Written by JBW (Source below.)
Anne Hathaway (being carried) and Hugh Jackman.
Directed by Tom Hooper ("The King's Speech", "John Adams" TV Mini-Series, "Elizabeth I" TV Mini-Series) and based on the original stage musical by Claude-Michel Schönberg, Alain Boubil, Jean-Marc Natel, and Herbert Kretzmer. The screenplay was written by William Nicholson ("Elizabeth: The Golden Age", "Gladiator", "First Knight") with additional text written by James Fenton.

Russell Crowe.
In the starring role is Hugh Jackman ("The Prestige", "X-Men"). He does an excellent job and I don't think he's getting enough accolades for it. Opposite him is Russell Crowe ("Gladiator", "Master and Commander: The Far Side of the World"), who, though not a singer, holds his own. He wasn't terrible and I think he acted the part rather well. For the record, Javert is my favorite character out of the whole musical. Anne Hathaway ("The Devil Wears Prada", "The Dark Knight Rises") isn't in it for very long, but she is brilliant and will probably win supporting actress come Oscar time.  Though her vibrato bothered me a bit, Amanda Seyfried ("Mean Girls", "Mamma Mia") was also very good. Her character doesn't have too much depth to her so in consideration of that she did well. 

Amanda Seyfried (L)
and Eddie Redmayne.
Sacha Baron Cohen ("Hugo", "Sweeney Todd: The Demon Barber of Fleet Street") and Helena Bonham Carter ("Alice in Wonderful", "The King's Speech"), even though they tried really hard to be funny, it just didn't work for me. Cohen was the only one with a French accent and it was a bad French accent. They were okay, Carter could've sung her parts louder, but her acting was good. Eddie Redmayne ("Black Death", "My Week With Marilyn") was good, but his face shook every time he sung a long note out and that was a bit distracting. Aaron Tveit ("Ghost Town", "Howl", "Premium Rush") was cute and had a great voice, but in comparison to the Enjolras I saw on Broadway (in about 2009) really got me gung-ho about the revolution. Tveit was adorable, but I didn't fall in love with him like I did the one onstage. 

Samantha Barks.
Samantha Barks ("Les Misérables in Concert: The 25th Anniversary") is basically known for being an amazing Eponine onstage so I think she suffers from the same thing that Jackman is going through right now: because everyone knows that she's a great stage actress, she's not getting the praise that is due her way. Daniel Huttlestone was wonderful as Gavroche. He has an excellent voice and was oftentimes singing rings around the other actors in the scene. And Colm Wilkinson ("The Phantom of the Opera at the Royal Albert Hall") was the Bishop that shows Jean Valjean some kindness and helps him to become a better man. He wasn't in it very long but he does an excellent job with his part as well.

"Les Misérables"
movie poster.
The makeup, or rather lack thereof, was brilliant. Everything was done very realistically. You saw how dirty, disgusting and sick everyone was. Also, everything seemed historically accurate which is something that can't always be shown in a musical stage production. The clothes were very good. I still don't think it's going to win "Best Picture" though. Because of the way they filmed everything, they had to keep very close to the actors. The actors were really singing while they were being filmed. This is what people actually sound like when they sing. 

Russell Crowe.
I had to watch this musical two times before I could write a review (damn people!). If you know the musical, you will notice that they cut some parts out and put some parts in. Most of it doesn't matter to the overall movie. I really liked how they humanized Javert. This wasn't something that could be done onstage. He was obviously changed by the end of the movie.

Also, Lisa Schwarzbaum: who the hell watches a movie musical when they don't even like musicals?!

I would like to read the book one day. I read an abridged version in high school some years ago, but the only part I remember is when Eponine is helping some old guy water his flowers while spouting off revolutionary, political jargon. 

Also, this review, featuring Sourcefed's Meg and Trisha:

Friday, January 4, 2013

WGA 2013 Best Screenplay Nominations!!!

"Flight" movie poster.
Poster found here.
This year’s WGA screenplay nominations have been announced:

ORIGINAL SCREENPLAY:

- Flight, Written by John Gatins; Paramount Pictures

- Looper, Written by Rian Johnson; TriStar Pictures
Poster found here.
Picture found here.

- The Master, Written by Paul Thomas Anderson; The Weinstein Company

Moonrise Kingdom, Written by Wes Anderson & Roman Coppola; Focus Features

Zero Dark Thirty, Written by Mark Boal; Columbia Pictures



"The Master" movie poster found here.

"Argo" movie poster.
Poster found here.
ADAPTED SCREENPLAY:

- Argo, Screenplay by Chris Terrio; Based on a selection from The Master of Disguise by Antonio J. Mendez and the Wired Magazine article “The Great Escape” by Joshuah Bearman; Warner Bros. Pictures

- Life of Pi, Screenplay by David Magee; Based on the novel by Yann Martel; 20th Century Fox

"Lincoln" 
movie poster.
"Silver Linings Playbook"
movie poster.
- Lincoln, Screenplay by Tony Kushner; Based in part on the book Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin; DreamWorks Pictures

Silver Linings Playbook, Screenplay by David O. Russell; Based on the novel by Matthew Quick; The Weinstein Company

The Perks of Being a Wallflower, Screenplay by Stephen Chbosky; Based on his book; Summit Entertainment
"The Perks of Being A Wallflower" movie poster.

"The Central Park Five"
movie poster found here.
"The Invisible War"
movie poster found here.
DOCUMENTARY SCREENPLAY:

The Central Park Five, Written by Sarah Burns and David McMahon and Ken Burns; Sundance Selects

The Invisible War, Written by Kirby Dick; Cinedigm Entertainment Group

Mea Maxima Culpa: Silence in the House of God, Written by Alex Gibney; HBO Documentary Films

"Mea Maxima Culpa"
movie poster.
"We Are Legion"
movie poster.
Searching for Sugar Man, Written by Malik Bendejelloul; Sony Pictures Classics

We Are Legion: The Story of the Hacktivists, Written by Brian Knappenberger; Cinetic Media

West of Memphis, Written by Amy Berg & Billy McMillin; Sony Pictures Classics

"West of Memphis"
movie poster.
"Searching for Sugar Man"
movie poster.






Congratulations, writers!

Originally posted here: http://gointothestory.