Showing posts with label classic literature. Show all posts
Showing posts with label classic literature. Show all posts

Thursday, November 29, 2012

"The Time Machine (1960)" Movie Review

Original movie poster for "The Time Machine".
"On January 5, 1900, a disheveled looking H.G. Wells (Rod Taylor) - George to his friends - arrives late to his own dinner party. He tells his guests of his travels in his time machine, the work about which his friends knew. They were also unbelieving, and skeptical of any practical use if it did indeed work. George knew that his machine was stationary in geographic position, but he did not account for changes in what happens over time to that location. He also learns that the machine is not impervious and he is not immune to those who do not understand him or the machine's purpose. George tells his friends that he did not find the Utopian society he so wished had developed. He mentions specifically a civilization several thousand years into the future which consists of the subterranean Morlocks and the surface dwelling Eloi, who on first glance lead a carefree life. Despite all these issues, love can still bloom over the spread of millennia." Written by Huggo (Source below.)

Rod Taylor in the time machine.
Also known as "H. G. Wells' The Time Machine", it was directed and produced by George Pal ("7 Faces of Dr. Lao" - 1964, "Tom Thumb" - 1958, "The Wonderful World of the Brothers Grimm" - 1962) with a screenplay written by David Duncan ("Fantastic Voyage" - 1966, "Daniel Boone" - 1964) and based upon the novel by H. G. Wells. It stars Rod Taylor as 'H. George Wells', Alan Young  as both 'David Filby' and 'James Filby', and Yvette Mimieux as 'Weena'.

The script is available to read here: http://sfy.ru/?script=time_machine_1960.

Of course, there is the 2002 version of "The Time Machine" starring Guy Pearce and Jeremy Irons, and directed by Simon Wells, with a screenplay written by John Logan. I saw that movie in the theater when it came out and it was a favorite of mine for a while (and I had a huge crush on Guy Pearce). I plan to see it again, to write a review of it, but also to see if it still holds up. I would also like to read the classic book itself, so those reviews will be forthcoming.

As this is a bit old, I decided I would mention a bit about the cast:

Hey, H. G. Wells predicted cds.
Also, Yvette Mimieux (L) and Rod Taylor.
For anyone who is a fan of Alfred Hitchcock, you may recognize Rod Taylor - he was 'Mitch Brenner' in "The Birds". He was also 'Winston Churchill' in Quentin Tarantino's "Inglourious Basterds" that came out in 2009. 

Alan Young won an Emmy in 1951 for "The Alan Young Show" and does voices for animated tv shows, like "Scooby Doo", his most famous character to date being 'Scrooge McDuck'. 

Yvette Mimieux starred as 'Leni Martek' on "The Love Boat" from 1984 - 1986 and was nominated for two Golden Globes - once in 1965 for her role in the tv show "Dr. Kildare" and once again in 1971 for her dramatic turn in the tv show "The Most Deadly Game". 

Playing 'Dr. Philip Hillyer' in this movie, Sebastian Cabot once starred as Kris Kringle in a tv adaptation of "Miracle on 31st Street" in 1973, but is known more for his voice work: did 'Bagheera the Panther' in Disney's "The Jungle Book" and has done a whole slew of narrations, but is usually the narrator of Winnie the Pooh's animated adventures.

Playing 'Anthony Bridewell' in this film, Tom Helmore was 'Gavin Elster' in Hitchcock's "Vertigo" in 1958 and was 'Zachary Wilde' in "Designing Woman".

Does this picture feel like "The Planet of the Apes"
to anyone else?
I just wanted to show that though we as the modern audience most likely don't know these actors or the director, they were really popular in their day and were very esteemed in their profession. This movie was kind of a big deal in its day. Now, granted, the action sequences, music and makeup just aren't going to measure up to today's standards. But for its time, it was top of the line.

Now, about those action sequences, music and makeup..... I thought the makeup for the Morlocks was awesome. They were a bit chubby, but those glowing eyes were really eerie. You can tell that the 2002 version had made homage with their morlocks; they were a bit scarier and more animalistic, but their hair and overall coloring is very similar.

Pretty, pretty princess clothes.
I didn't like the music, because either it was nonexistent or it was overpowering for two very annoying seconds. 

I didn't like the clothes either. H. G. Wells and his friends were dressed appropriately, but the Eloi were in pastel colors which were pretty, but not very realistic. Wouldn't they be dressed in whites or hues of brown? And shouldn't they have been dirty? I can't possibly assume that even though they do nothing else all day that they wash their clothes. They didn't. 

I also have a bone to pick with Wells: If the Eloi were such sheep that they couldn't be bothered to do anything, even defend themselves, why on earth did they keep up the development of their speech? Should they really have been able to speak so well? If they were really like cattle, they should have been using as few words as possible. Just saying.

The Morlocks - look at those eyes!
I like watching some of these old movies. Especially when there is a remake. It's interesting to see the differences; like music is taken more seriously today than it was back then. Makeup and clothes lean towards being more gritty and realistic, whereas back then it was more theatrical. Even the acting is kind of more theatrical back then: some of the gestures they make are a bit too much for a more close up view.

Interesting facts concerning the remake that ties it to the old movie:
- They based the new screenplay written by John Logan on the older version written by David Duncan. 
- Alan Young is in both movies: as the Filby brothers in the 1960 version and in the 2002 version he can be seen as the "Flower Store Worker".

So what three books would you have taken with you, to save a future civilization?


I give this movie 3.5 out of 5 typewriters.

Sunday, September 2, 2012

"Revolutionary Road" Book and Movie Review

"Revolutionary Road" movie poster
and the front cover of my
edition of the book.
I know this is a departure from what I normally do. But it felt to be the right thing to do and I'll explain why throughout the review.

"It's 1955. Frank (Leonardo DiCaprio) and April Wheeler (Kate Winslet), in the seventh year of their marriage, have fallen into a life that appears to most as being perfect. They live in the Connecticut suburbs with two young children. Frank commutes to New York City where he works in an office job while April stays at home as a housewife. But they're not happy. April has forgone her dream of becoming an actress, and Frank hates his job - one where he places little effort - although he has never figured out what his passion in life is. One day, April suggests that they move to Paris - a city where Frank visited during the war and loved, but where April has never been - as a means to rejuvenate their life. April's plan: she would be the breadwinner, getting a lucrative secretarial job for one of the major international organizations, while Frank would have free time to find himself and whatever his passion. Initially skeptical, Frank ultimately agrees to April's plan. When circumstances change around the Wheelers, April decides she will do whatever she has to to get herself out of her unhappy existence." Written by Huggo (Link below.)


(L to R) David Harbour and Kathryn Hahn.
The Book: Beautifully written by Richard Yates, his first novel, now a literary classic, it was nominated for the National Book Award in 1961 and earned high praise, including from celebrated author Kurt Vonnegut who said that "Revolutionary Road" was "The Great Gatsby" of his time.

The Movie: Directed by Sam Mendes ("Road to Perdition", "American Beauty") with a screenplay written by Justin Haythe ("The Clearing", "The Lone Ranger") it is a masterpiece.

The music was wonderful, the clothes were beautiful (never have I been more jealous of Kate Winslet than when I saw her in that blue dress), the acting was amazing - and I don't just mean DiCaprio and Winslet. Michael Shannon, who played John Givings, did an excellent job playing someone presumed to be unwell because he expresses himself emotionally and also is the moral center of the story.

Michael Shannon.
And I was going to try to stay away from referencing a past and much cited movie in this review, but since Kathy Bates also has a part in this film (playing Mrs. Helen Givings), it's now almost impossible not to mention it. And for those living under a rock and is somehow getting the internet as well, Leonardo DiCaprio, Kate Winslet and Kathy Bates all starred in this little known film called "Titanic". The reason I am so reluctant to mention it is because two fine and critically acclaimed actors who want to work together because it worked so well the first time really shouldn't count as news, ever.

It's both a close and satirical look at the suburban lifestyle and a tragic love story. It moved me, but not to simple tears, just a terrible sadness settling in my stomach. The book and the movie are very companionable pieces. It's one of the best adaptations from page to screen that I've ever seen.

Script can be accessed here: http://scripts-onscreen.com/tag/revolutionary-road-script/.

Kate Winslet and Leonardo DiCaprio.
Favorite Quotes:

April Wheeler: Frank Wheeler, I think you're the most interesting person I've ever met.

John Givings: You want to play house you got to have a job. You want to play nice house, very sweet house, you got to have a job you don't like.

John Givings: Hopeless emptiness. Now you've said it. Plenty of people are onto the emptiness, but it takes real guts to see the hopelessness.

April Wheeler: It takes backbone to lead the life you want, Frank.

April Wheeler: If being crazy means living life as if it matters, then I don't mind being completely insane.

April Wheeler: I wanted IN. I just wanted us to live again. For years I thought we've shared this secret that we would be wonderful in the world. I don't know exactly how, but just the possibility kept me hoping. How pathetic is that? So stupid. To put all your hopes in a promise that was never made. Frank knows what he wants, he found his place, he's just fine. Married, two kids, it should be enough. It is for him. And he's right; we were never special or destined for anything at all. 

Kate Winslet.
Bart Pollock: Talk it over with your wife. After all, what would we be without our wives.

April Wheeler: So now I'm crazy because I don't love you, right? Is that the point?
Frank Wheeler: No! Wrong! You're not crazy, and you do love me. That's the point, April.
April Wheeler: But I don't. I hate you. You were just some boy who made me laugh at a party once, and now I loathe the sight of you. In fact, if you come any closer, if you touch me or anything, I think I'll scream.
Frank Wheeler: Oh, come on, stop this April.
[He touches her for an instant and she screams at the top of her lungs before walking away. He chases after her]
Frank Wheeler: Fuck you, April! Fuck you and all your hateful, goddamn -
[He breaks a chair against a wall]
April Wheeler: What are you going to do now? Are you going to hit me? To show me how much you love me?
Frank Wheeler: Don't worry, I can't be bothered! You're not worth the trouble it would take to hit you! You're not worth the powder it would take to blow you up. You are an empty, empty, hollow shell of a woman. I mean, what the hell are you doing in my house if you hate me so much? Why the hell are you married to me? What the hell are you doing carrying my child? I mean, why didn't you just get rid of it when you had the chance? Because listen to me, listen to me, I got news for you - I wish to God that you had!

Leonardo DiCaprio.
Frank Wheeler: You don't...hate me or anything?
April Wheeler: No.....no, of course not.
(She moves closer.)
April Wheeler: Have a good day.