Showing posts with label best screenplays. Show all posts
Showing posts with label best screenplays. Show all posts

Thursday, March 14, 2013

Screenwriter of the Month: Sidney Howard

Sidney Howard.
Picture found here.
A Short Biography:

Sidney Howard was born in Oakland, California, the son of Helen Louise (née Coe) and John Lawrence Howard. He graduated from theUniversity of California, Berkeley in 1915 and went on to Harvard University to study the art of playwriting under George Pierce Baker in his "47 workshop." Along with other students of Harvard professor A. Piatt Andrew, Sidney Howard volunteered with Andrew's American Field Service, serving in France and the Balkans during World War I. After the War, Howard, competent at foreign languages, translated a number of literary works from French, Spanish, Hungarian and German.

In 1921, Howard had his first Broadway production, with a neo-romantic verse drama, Swords, which failed to win approval from either audiences or critics. It was with his realistic romance, They Knew What They Wanted in 1924 that Howard found recognition. The story of a middle-aged Italian vineyard owner who woos a young woman by mail with a false snapshot of himself, married her, and then forgives her when she becomes pregnant by one of his farm hands, it was praised for its non-judgmental and unmelodramatic view of adultery, and its warm-hearted, tolerant view of all its characters. The play won the 1925 Pulitzer Prize for Drama, was thrice adapted into film (1928, 1930, and 1940) and later became the Broadway musical, The Most Happy Fella. Lucky Sam McCarver, a coolly observed, unsentimental account of the marriage of a New York speakeasy owner on his way up in the world with a self-destructive socialite on her way down, failed to attract audiences but won the admiration of some reviewers. The Silver Cord, a drama about a mother who is pathologically close to her sons and works to undermine their romances, was one of the most successful plays of the 1926-27 Broadway season.

Picture found here.
A prolific writer, and a founding member of the Playwrights' Company, he wrote or created more than seventy plays; he also directed and produced a number of works. In 1922 he married actress Clare Eames (1896–1930) who had played the female lead in Swords. She later starred in Howard's Lucky Sam McCarver (1925), and Ned McCobb's Daughter (1926) on Broadway, and The Silver Cord in London (1927). Clare Eames was the niece of opera singer Emma Eames on her father's side, and of the inventor Hiram Percy Maxim on her mother's side, and a granddaughter of former Maryland governor, William Thomas Hamilton. Howard and Eames had a daughter, Jennifer Howard. They separated in 1927, and Howard's anger and frustration at the disintegration of his marriage is reflected in his bitter satire of modern matrimony, Half Gods (1929). Following the unexpected death of Eames in 1930, Sidney Howard married Leopoldine (Polly) Damrosch, daughter of the conductor Walter Johannes Damrosch in 1931, with whom he had three children.

A particular admirer of the understated realism of French playwright Charles Vildrac, Howard adapted two of his plays into English, under the titles, S. S. Tenacity (1929) and Michael Auclair (1932). One of his greatest successes on Broadway was an adaptation of a French comedy by Rene Fauchois, The Late Christopher Bean. Yellow Jack, an historical drama about the war against yellow fever, was praised for its high purpose and innovative staging when it premiered in 1934.

Picture found here.
Hired by Samuel Goldwyn, Howard worked in Hollywood, writing several successful screenplays. In 1932, Howard was nominated for an Academy Award for his adaptation of the Sinclair Lewis novel Arrowsmith, and again in 1936 for Dodsworth, which he had adapted for the stage in 1934.

Howard wrote the stage adaption of Humphrey Cobb's novel Paths of Glory which played on Broadway in 1935. The play was a flop because of its harsh anti-war scenes that alienated the audience, as a World War I veteran Howard wanted to show the horrors of war. Convinced that the novel should be filmed, Howard wrote, “It seems to me that our motion picture industry must feel something of a sacred obligation to make the picture.” The film version of the novel directed by Stanley Kubrick did not appear until 1957. Howard's screenplay for Gone with the Wind echoed, perhaps, Paths of Glory, with an unflinching look at the horrors of war.

Posthumously, he won the 1939 Academy Award for Writing Adapted Screenplay for Gone with the Wind (he was the only one honored, despite the fact that his script was revised by several other writers). This was the first time a posthumous nominee for any Oscar won the award.

Picture found here.
A lover of the quiet rural life, Sidney Howard died in Tyringham, Massachusetts while working on his 700-acre (2.8 km2) hobby farm. Howard was crushed to death in a garage by his two and one half ton tractor. He had turned the ignition switch on and was cranking the engine to start it when it lurched forward, pinning him against the wall of the garage. Apparently an employee had left the transmission in high gear.

He is buried in the Tyringham Cemetery.

Howard left behind a number of unproduced works. Lute Song, an adaptation of an old Chinese play co-written with Will Irwin, premiered on Broadway in 1946. A lighthearted reworking of the Faust legend, Madam, Will You Walk?, closed out of town when produced by the Playwrights Company in 1939, but was more warmly received as the first production of the Phoenix Theatre in 1953.

His Best Known & Awarded Movies:

"A Lady to Love"
movie poster.
Picture found here.
- "A Lady to Love" (1930) - Based upon Howard's play, They Knew What They Wanted, "A Lady to Love" is about a "middle-aged Napa Valley grape-grower Tony (Edward G. Robinson) posts a marriage proposal to San Francisco waitress Lena (Vilma Banky) enclosing a photo of his handsome younger brother Buck (Robert Ames). When she gets there she overlooks his duplicity and marries him. Then she falls in love with Buck." Written by Ed Stephan (Source here.)

"Arrowsmith"
movie poster.
Picture found here.
- "Arrowsmith" (1931) - Starring Ronald Colman and Helen Hayes, and "based on a Sinclair Lewis novel Martin Arrowsmith. A medical researcher is sent to a plague outbreak, where he has to decide priorities for the use of a vaccine." Written by Anonymous (Source here.)
- Nominated for a 1932 Oscar for 
"Best Writing, Adaptation"

"The Silver Cord"
movie poster.
Picture found here.
- "The Silver Cord" (1933) - Based on Howard's play of the same name, "The Silver Cord" is about "a domineering matriarch (Irene Dunne) is less than happy when her son (Joel McCrea) brings home his new bride (Laura Hope Crews). She immediately sets to work at sabotaging their marriage as well as the engagement of her younger and weaker son (Eric Linden)." Written by Daniel Bubbeo (Source here.)

"Dodsworth"
movie poster.
Picture found here.
- "Dodsworth" (1936) - Based on a Sinclair Lewis novel, it's about "[the] bittersweet tale of the increasing estrangement of a retired automobile tycoon (Walter Huston) and his wife (Ruth Chatterton). Increasingly obsessed with maintaining an appearance of youth, she falls in with a crowd of frivolous socialites during their 'second honeymoon' European vacation. He, in turn, meets a woman (Mary Astor) who is everything she is not; self-assured, self-confident, and able to take care of herself." Written by Sonya Roberts (Source here.)
- Nominated for an Oscar in 1937 for 
"Best Writing, Screenplay"

"Raffles" movie poster.
Picture found here.
- "Raffles" (1939) - "Man about town and First Class cricketer A.J. Raffles (David Niven) keeps himself solvent with daring robberies. Meeting Gwen (Olivia de Havilland) from his schooldays and falling in love all over again, he spends the weekend with her parents, Lord and Lady Melrose. A necklace presents an irresistible temptation, but also in attendance is Scotland Yard's finest, finally on the trail." Written by Jeremy Perkins (Source here.)

"Gone with the Wind"
movie poster.
Picture found here.
- "Gone With the Wind" (1939) - "This tale of the Old South from the start of the Civil War through to the period of reconstruction focuses on the beautiful Scarlett O'Hara (Vivien Leigh). Before the start of the war life at the O'Hara plantation, Tara, could only be described as genteel. As for the young Scarlett, she is without doubt the most beautiful girl in the area and is always the belle of the ball. She is very much looking forward to a barbecue at the nearby Wilkes plantation as she will get to see the man she loves, Ashley Wilkes (Leslie Howard). She is more than a little dismayed when she hears that he is to marry his cousin Melanie Hamilton (Olivia de Havilland) and in a fit of anger, she decides to marry Melanie's brother. War is soon declared and as always seems to be the case, men march off to battle thinking that it will only last a few weeks. Now living in Atlanta, Scarlett sees the ravages that war brings. She also becomes re-acquainted with Rhett Butler (Clark Gable), whom she had first met at the Wilkes barbecue. Now a widow, she still pines for the married Ashley and dreams of his return. With the war lost however, she returns to Tara and faces the hardship of keeping her family together and Tara from being sold at auction to collect the taxes. She has becomes hardened and bitter and will do anything, including marrying her sister's beau, to ensure she will never again be poor and hungry. After becoming a widow for the second time, she finally marries the dashing Rhett but they soon find themselves working at cross-purposes, their relationship seemingly doomed from the outset." Written by garykmcd (Source here.) Also stars Hattie McDaniel who was the first African American to be nominated for an Oscar in 1940 for "Best Actress in a Supporting Role" and the first to win for her role as Mammy.
- Won the 1940 Oscar for "Best Writing, Screenplay". 
Though four others had helped write the screenplay 
(Oliver H.P. Garrett, Ben Hecht, Jo Swerling, 
and John Van Druten), Howard was the only one to receive it. 
He's also the first person to be posthumously 
nominated and awarded for an Oscar. 

"They Knew What They
Wanted" movie poster.
Picture found here.
- "They Knew What They Wanted" (1940) - Screenplay written by Robert Ardrey and based upon Howard's Pulitzer Prize winning play of the same name. "Tony (Charles Laughton), a successful but illiterate middle-aged grape farmer, sends the photograph of his handsome young foreman, Joe (William Gargan), instead of his own, hoping to woo and marry Amy (Carole Lombard), a waitress in a San Francisco restaurant. Through a series of letters, the two become close and Tony invites his 'future wife' to visit. When the beautiful, young Amy arrives at Tony's Napa, California ranch she falls for the wrong man thinking that Joe (William Gargan) is the wealthy Tony. When Tony tries to win her over in broken English, she is at first furious and then charmed. But Tony breaks his legs while showing off to impress Amy, and -- left alone to care for a cripple -- she reluctantly succumbs to Joe's charms and becomes pregnant. Although Tony discovers that he has been cuckolded and that Joe has run off, his anger turns to genuine love and he offers to take Amy back unconditionally for the sake of the child and his own true feelings for Amy." Written by E. Summer (Source here.)

Sources:
- #1 - http://en.wikipedia.org/wiki/Sidney_Howard

Thursday, January 17, 2013

Screenwriter of the Month: I. A. L. Diamond

I. A. L. Diamond.
Picture found here.
A Short Biography:

"[On June 27th, 1920) Diamond was born Iţec (Itzek) Domnici in Ungheni, Iaşi County, Bessarabia, Romania, present day Moldova, was referred to as "Iz" in Hollywood, and was known to quip that his initials stood for "Interscholastic Algebra League".

"Diamond emigrated with his family to the Crown Heights area of Brooklyn in the United States at the age of 9. There he studied at the Boy's High School, showing ability in mathematics, competing in the state Mathematics Olympiads in 1936-37, winning several gold medals.

"Diamond completed his undergraduate studies at Columbia in 1941. There he studied journalism, publishing in the Columbia Daily Spectator under the pseudonym "I.A.L. Diamond". He was editor of the humor magazine Jester of Columbia, a member of the Philolexian Society, and became the only person to single-handedly write four consecutive productions of the annual revue, the Varsity Show. As a result, upon graduation he abandoned his plans to pursue his master's at Columbia and accepted a short-term contract in Hollywood.

"A succession of limited-term contracts ensued, notably at Paramount Pictures where he worked on projects without ultimately receiving a writing credit. He then moved to Universal, where in 1944 he worked on his first credited feature script, Murder in the Blue Room. It was a year later, at Warner Brothers, that he achieved his first real success and consequent recognition with Never Say Goodbye in 1946. He worked at 20th Century Fox from 1951–55, eventually deciding to become independent.

Billy Wilder (L) and I. A. L. Diamond.
Picture found here.
"In 1957 he began a collaborative relationship with Billy Wilder on the movie Love in the Afternoon. From there, the pair had a string of hits with Some Like It Hot; The Apartment (which won an Academy Award for Best Screenplay); One, Two, Three; Irma la Douce; the Oscar-nominated The Fortune Cookie; the sex comedy Kiss Me, Stupid; and The Private Life of Sherlock Holmes. Diamond also had a hit with his 1969 solo adaptation of the play Cactus Flower into the movie of the same name.

"In total, Diamond and Wilder wrote twelve movies together over 25 years. Some of these films feature characters engaged in never-ending but friendly squabbling, such as Joe and Jerry in Some Like it Hot and Holmes and Watson in The Private Life of Sherlock Holmes. Diamond's widow claims that these characters were based on her husband's relationship with Wilder.

"In 1980, Diamond and Wilder were given the Writers Guild of America's Laurel Award for career achievement in screenwriting. Wilder had previously received the Laurel Award in 1957 for his screenwriting partnership with Charles Brackett.

"Diamond died in Beverly Hills, California [on April 21st] in 1988." (Source #1)

His Best Known and Awarded Movies:

"Love in the Afternoon"
movie poster.
Picture found here.
 - "Love in the Afternoon" (1957) - "Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy (Gary Cooper) fascinated by the daughter (Audrey Hepburn) of a private detective (Maurice Chevalier) who has been hired to entrap him with the wife of a client." Written by Ray Hamel (Source here.) 
- Won the 1958 Writer's Guild of America for "Best
Written American Comedy" with Billy Wilder.
- Nominated for a Golden Globe in 1958 
for "Best Motion Picture - Musical/Comedy".

"Some Like It Hot"
movie poster.
Picture found here.
- "Some Like It Hot" (1959) - "When two Chicago musicians, Joe (Tony Curtis) and Jerry (Jack Lemmon), witness the the St. Valentine's Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo (George Raft). They're desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk (Marilyn Monroe) who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/Daphne is wooed by a millionaire, Osgood Fielding III (Joe E. Brown). Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords." Written by garykmcd (Source here.) 
- Nominated with Billy Wilder for an Oscar for "Best Writing, 
Screenplay Based on Material from Another Medium" in 1960. 
- Awarded one of the Top Ten Films of 1959 
by the National Board of Review.

"The Apartment"
German movie poster.
Picture found here.
- "The Apartment" (1960) - "Insurance statistician C.C. "Bud" Baxter (Jack Lemmon) advances his career by making his Manhattan apartment available to executives in his company for their extramarital affairs. His boss, Jeff D. Sheldrake (Fred MacMurray), finds out and promotes Bud in return for the exclusive use of the apartment for his own affair. When Sheldrake's girlfriend turns out to be Fran Kubelik (Shirley MacLaine), a pretty elevator operator Bud likes, he is heartbroken, but accepts the arrangement." Written by filmfactsman (Source here.)
- Won the 1961 Oscar for "Best Writing, Story and
Screenplay - Written Directly for the Screen"
with Billy Wilder.
- Won the 1961 Golden Globe for "Best Motion Picture - Comedy".

"The Fortune Cookie"
movie poster.
Picture found here.
- "The Fortune Cookie" (1966) - "A cameraman (Jack Lemmon) is knocked over during a football game. His brother-in-law (Walter Matthau) as the king of the ambulance chasing lawyers starts a suit while he's still knocked out. The cameraman is against it until he hears that his ex-wife (Judi West) will be coming to see him. He pretends to be injured to get her back, but also sees what the strain is doing to the football player (Ron Rich) who injured him." Written by John Vogel (Source here.)
- Nominated for an Oscar for the 1967 "Best Writing, Story and Screenplay - 
Written Directly for the Screen" with Billy Wilder.
- Nominated for the 1967 Writer's Guild of
America for "Best Written American Comedy"
with Billy Wilder.

"Cactus Flower"
movie poster.
Picture found here.
- "Cactus Flower" (1967) - "Toni Simmons (Goldie Hawn) believes that the only reason her married lover won't leave his wife is because of the children. In truth, her lover, dentist Julian Winston (Walter Matthau), doesn't have any children. In fact, Julian doesn't even have a wife - he just tells women he does to avoid getting involved. When Julian does decide to take the plunge with Toni she insists on meeting the first wife and Julian enlists the aid of his long-time nurse/receptionist Stephanie Dickinson (Ingrid Bergman) to play the part." Written by A.L.Beneteau (Source here.)
- Nominated in 1970 by the Writer's Guild of America
for "Best Comedy Adapted From Another Medium". 

"The Private Life of
Sherlock Holmes"
movie poster.
Picture found here.
- "The Private Life of Sherlock Holmes" (1970) - "Director Billy Wilder adds a new and intriguing twist to the personality of intrepid detective Sherlock Holmes. One thing hasn't changed however: Holmes' crime-solving talents. Holmes (Robert Stevens) and Dr. Watson (Colin Blakely) take on the case of a beautiful woman (Genevieve Page) whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments. Can the sleuths make sense of all this and solve the mystery?" Written by Joel Preuninger (Source here.) Also stars Christopher Lee as Mycroft Holmes.
- Nominated for the Edgar Allen Poe Award 
for "Best Motion Picture" in 1971.
- Nominated with Billy Wilder for "Best Comedy Written Directly for 
the Screen" in 1971 by the Writer's Guild of America.

(Source #2)

His Tips on Screenwriting:

Actually, I can't find any quotes from him at all. But, I did find an interesting article via the Black List's blog. In the article, Diamond and Billy Wilder discuss how they write and make a movie. It is thought-provoking to say the least. To read 'part 1', go here.

Sources:
- #1 - http://en.wikipedia.org/wiki/I._A._L._Diamond
- #2 - http://www.imdb.com/name/nm0224634/

Also, as a treat, Billy Wilder on writing:

Friday, January 4, 2013

WGA 2013 Best Screenplay Nominations!!!

"Flight" movie poster.
Poster found here.
This year’s WGA screenplay nominations have been announced:

ORIGINAL SCREENPLAY:

- Flight, Written by John Gatins; Paramount Pictures

- Looper, Written by Rian Johnson; TriStar Pictures
Poster found here.
Picture found here.

- The Master, Written by Paul Thomas Anderson; The Weinstein Company

- Moonrise Kingdom, Written by Wes Anderson & Roman Coppola; Focus Features

- Zero Dark Thirty, Written by Mark Boal; Columbia Pictures



"The Master" movie poster found here.

"Argo" movie poster.
Poster found here.
ADAPTED SCREENPLAY:

- Argo, Screenplay by Chris Terrio; Based on a selection from The Master of Disguise by Antonio J. Mendez and the Wired Magazine article “The Great Escape” by Joshuah Bearman; Warner Bros. Pictures

- Life of Pi, Screenplay by David Magee; Based on the novel by Yann Martel; 20th Century Fox

"Lincoln" 
movie poster.
"Silver Linings Playbook"
movie poster.
- Lincoln, Screenplay by Tony Kushner; Based in part on the book Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin; DreamWorks Pictures

- Silver Linings Playbook, Screenplay by David O. Russell; Based on the novel by Matthew Quick; The Weinstein Company

- The Perks of Being a Wallflower, Screenplay by Stephen Chbosky; Based on his book; Summit Entertainment
"The Perks of Being A Wallflower" movie poster.

"The Central Park Five"
movie poster found here.
"The Invisible War"
movie poster found here.
DOCUMENTARY SCREENPLAY:

- The Central Park Five, Written by Sarah Burns and David McMahon and Ken Burns; Sundance Selects

- The Invisible War, Written by Kirby Dick; Cinedigm Entertainment Group

- Mea Maxima Culpa: Silence in the House of God, Written by Alex Gibney; HBO Documentary Films

"Mea Maxima Culpa"
movie poster.
"We Are Legion"
movie poster.
- Searching for Sugar Man, Written by Malik Bendejelloul; Sony Pictures Classics

- We Are Legion: The Story of the Hacktivists, Written by Brian Knappenberger; Cinetic Media

- West of Memphis, Written by Amy Berg & Billy McMillin; Sony Pictures Classics

"West of Memphis"
movie poster.
"Searching for Sugar Man"
movie poster.






Congratulations, writers!

Originally posted here: http://gointothestory.