Showing posts with label Screenwriter of the Month. Show all posts
Showing posts with label Screenwriter of the Month. Show all posts

Thursday, March 14, 2013

Screenwriter of the Month: Sidney Howard

Sidney Howard.
Picture found here.
A Short Biography:

Sidney Howard was born in Oakland, California, the son of Helen Louise (née Coe) and John Lawrence Howard. He graduated from theUniversity of California, Berkeley in 1915 and went on to Harvard University to study the art of playwriting under George Pierce Baker in his "47 workshop." Along with other students of Harvard professor A. Piatt Andrew, Sidney Howard volunteered with Andrew's American Field Service, serving in France and the Balkans during World War I. After the War, Howard, competent at foreign languages, translated a number of literary works from French, Spanish, Hungarian and German.

In 1921, Howard had his first Broadway production, with a neo-romantic verse drama, Swords, which failed to win approval from either audiences or critics. It was with his realistic romance, They Knew What They Wanted in 1924 that Howard found recognition. The story of a middle-aged Italian vineyard owner who woos a young woman by mail with a false snapshot of himself, married her, and then forgives her when she becomes pregnant by one of his farm hands, it was praised for its non-judgmental and unmelodramatic view of adultery, and its warm-hearted, tolerant view of all its characters. The play won the 1925 Pulitzer Prize for Drama, was thrice adapted into film (1928, 1930, and 1940) and later became the Broadway musical, The Most Happy Fella. Lucky Sam McCarver, a coolly observed, unsentimental account of the marriage of a New York speakeasy owner on his way up in the world with a self-destructive socialite on her way down, failed to attract audiences but won the admiration of some reviewers. The Silver Cord, a drama about a mother who is pathologically close to her sons and works to undermine their romances, was one of the most successful plays of the 1926-27 Broadway season.

Picture found here.
A prolific writer, and a founding member of the Playwrights' Company, he wrote or created more than seventy plays; he also directed and produced a number of works. In 1922 he married actress Clare Eames (1896–1930) who had played the female lead in Swords. She later starred in Howard's Lucky Sam McCarver (1925), and Ned McCobb's Daughter (1926) on Broadway, and The Silver Cord in London (1927). Clare Eames was the niece of opera singer Emma Eames on her father's side, and of the inventor Hiram Percy Maxim on her mother's side, and a granddaughter of former Maryland governor, William Thomas Hamilton. Howard and Eames had a daughter, Jennifer Howard. They separated in 1927, and Howard's anger and frustration at the disintegration of his marriage is reflected in his bitter satire of modern matrimony, Half Gods (1929). Following the unexpected death of Eames in 1930, Sidney Howard married Leopoldine (Polly) Damrosch, daughter of the conductor Walter Johannes Damrosch in 1931, with whom he had three children.

A particular admirer of the understated realism of French playwright Charles Vildrac, Howard adapted two of his plays into English, under the titles, S. S. Tenacity (1929) and Michael Auclair (1932). One of his greatest successes on Broadway was an adaptation of a French comedy by Rene Fauchois, The Late Christopher Bean. Yellow Jack, an historical drama about the war against yellow fever, was praised for its high purpose and innovative staging when it premiered in 1934.

Picture found here.
Hired by Samuel Goldwyn, Howard worked in Hollywood, writing several successful screenplays. In 1932, Howard was nominated for an Academy Award for his adaptation of the Sinclair Lewis novel Arrowsmith, and again in 1936 for Dodsworth, which he had adapted for the stage in 1934.

Howard wrote the stage adaption of Humphrey Cobb's novel Paths of Glory which played on Broadway in 1935. The play was a flop because of its harsh anti-war scenes that alienated the audience, as a World War I veteran Howard wanted to show the horrors of war. Convinced that the novel should be filmed, Howard wrote, “It seems to me that our motion picture industry must feel something of a sacred obligation to make the picture.” The film version of the novel directed by Stanley Kubrick did not appear until 1957. Howard's screenplay for Gone with the Wind echoed, perhaps, Paths of Glory, with an unflinching look at the horrors of war.

Posthumously, he won the 1939 Academy Award for Writing Adapted Screenplay for Gone with the Wind (he was the only one honored, despite the fact that his script was revised by several other writers). This was the first time a posthumous nominee for any Oscar won the award.

Picture found here.
A lover of the quiet rural life, Sidney Howard died in Tyringham, Massachusetts while working on his 700-acre (2.8 km2) hobby farm. Howard was crushed to death in a garage by his two and one half ton tractor. He had turned the ignition switch on and was cranking the engine to start it when it lurched forward, pinning him against the wall of the garage. Apparently an employee had left the transmission in high gear.

He is buried in the Tyringham Cemetery.

Howard left behind a number of unproduced works. Lute Song, an adaptation of an old Chinese play co-written with Will Irwin, premiered on Broadway in 1946. A lighthearted reworking of the Faust legend, Madam, Will You Walk?, closed out of town when produced by the Playwrights Company in 1939, but was more warmly received as the first production of the Phoenix Theatre in 1953.

His Best Known & Awarded Movies:

"A Lady to Love"
movie poster.
Picture found here.
- "A Lady to Love" (1930) - Based upon Howard's play, They Knew What They Wanted, "A Lady to Love" is about a "middle-aged Napa Valley grape-grower Tony (Edward G. Robinson) posts a marriage proposal to San Francisco waitress Lena (Vilma Banky) enclosing a photo of his handsome younger brother Buck (Robert Ames). When she gets there she overlooks his duplicity and marries him. Then she falls in love with Buck." Written by Ed Stephan (Source here.)

"Arrowsmith"
movie poster.
Picture found here.
- "Arrowsmith" (1931) - Starring Ronald Colman and Helen Hayes, and "based on a Sinclair Lewis novel Martin Arrowsmith. A medical researcher is sent to a plague outbreak, where he has to decide priorities for the use of a vaccine." Written by Anonymous (Source here.)
- Nominated for a 1932 Oscar for 
"Best Writing, Adaptation"

"The Silver Cord"
movie poster.
Picture found here.
- "The Silver Cord" (1933) - Based on Howard's play of the same name, "The Silver Cord" is about "a domineering matriarch (Irene Dunne) is less than happy when her son (Joel McCrea) brings home his new bride (Laura Hope Crews). She immediately sets to work at sabotaging their marriage as well as the engagement of her younger and weaker son (Eric Linden)." Written by Daniel Bubbeo (Source here.)

"Dodsworth"
movie poster.
Picture found here.
- "Dodsworth" (1936) - Based on a Sinclair Lewis novel, it's about "[the] bittersweet tale of the increasing estrangement of a retired automobile tycoon (Walter Huston) and his wife (Ruth Chatterton). Increasingly obsessed with maintaining an appearance of youth, she falls in with a crowd of frivolous socialites during their 'second honeymoon' European vacation. He, in turn, meets a woman (Mary Astor) who is everything she is not; self-assured, self-confident, and able to take care of herself." Written by Sonya Roberts (Source here.)
- Nominated for an Oscar in 1937 for 
"Best Writing, Screenplay"

"Raffles" movie poster.
Picture found here.
- "Raffles" (1939) - "Man about town and First Class cricketer A.J. Raffles (David Niven) keeps himself solvent with daring robberies. Meeting Gwen (Olivia de Havilland) from his schooldays and falling in love all over again, he spends the weekend with her parents, Lord and Lady Melrose. A necklace presents an irresistible temptation, but also in attendance is Scotland Yard's finest, finally on the trail." Written by Jeremy Perkins (Source here.)

"Gone with the Wind"
movie poster.
Picture found here.
- "Gone With the Wind" (1939) - "This tale of the Old South from the start of the Civil War through to the period of reconstruction focuses on the beautiful Scarlett O'Hara (Vivien Leigh). Before the start of the war life at the O'Hara plantation, Tara, could only be described as genteel. As for the young Scarlett, she is without doubt the most beautiful girl in the area and is always the belle of the ball. She is very much looking forward to a barbecue at the nearby Wilkes plantation as she will get to see the man she loves, Ashley Wilkes (Leslie Howard). She is more than a little dismayed when she hears that he is to marry his cousin Melanie Hamilton (Olivia de Havilland) and in a fit of anger, she decides to marry Melanie's brother. War is soon declared and as always seems to be the case, men march off to battle thinking that it will only last a few weeks. Now living in Atlanta, Scarlett sees the ravages that war brings. She also becomes re-acquainted with Rhett Butler (Clark Gable), whom she had first met at the Wilkes barbecue. Now a widow, she still pines for the married Ashley and dreams of his return. With the war lost however, she returns to Tara and faces the hardship of keeping her family together and Tara from being sold at auction to collect the taxes. She has becomes hardened and bitter and will do anything, including marrying her sister's beau, to ensure she will never again be poor and hungry. After becoming a widow for the second time, she finally marries the dashing Rhett but they soon find themselves working at cross-purposes, their relationship seemingly doomed from the outset." Written by garykmcd (Source here.) Also stars Hattie McDaniel who was the first African American to be nominated for an Oscar in 1940 for "Best Actress in a Supporting Role" and the first to win for her role as Mammy.
- Won the 1940 Oscar for "Best Writing, Screenplay". 
Though four others had helped write the screenplay 
(Oliver H.P. Garrett, Ben Hecht, Jo Swerling, 
and John Van Druten), Howard was the only one to receive it. 
He's also the first person to be posthumously 
nominated and awarded for an Oscar. 

"They Knew What They
Wanted" movie poster.
Picture found here.
- "They Knew What They Wanted" (1940) - Screenplay written by Robert Ardrey and based upon Howard's Pulitzer Prize winning play of the same name. "Tony (Charles Laughton), a successful but illiterate middle-aged grape farmer, sends the photograph of his handsome young foreman, Joe (William Gargan), instead of his own, hoping to woo and marry Amy (Carole Lombard), a waitress in a San Francisco restaurant. Through a series of letters, the two become close and Tony invites his 'future wife' to visit. When the beautiful, young Amy arrives at Tony's Napa, California ranch she falls for the wrong man thinking that Joe (William Gargan) is the wealthy Tony. When Tony tries to win her over in broken English, she is at first furious and then charmed. But Tony breaks his legs while showing off to impress Amy, and -- left alone to care for a cripple -- she reluctantly succumbs to Joe's charms and becomes pregnant. Although Tony discovers that he has been cuckolded and that Joe has run off, his anger turns to genuine love and he offers to take Amy back unconditionally for the sake of the child and his own true feelings for Amy." Written by E. Summer (Source here.)

Sources:
- #1 - http://en.wikipedia.org/wiki/Sidney_Howard

Thursday, February 21, 2013

Screenwriter of the Month: William Monahan

Screenwriter, William Monahan.
Picture found here.
A Short Biography: 

Born November 3, 1960, William J. Monahan is an American screenwriter and novelist. His second produced screenplay was The Departed, a film that earned him a WGA award and an Academy award for Best Adapted Screenplay.
Monahan attended the University of Massachusetts Amherst, where he studied Elizabethan and Jacobean drama. He moved to New York City and contributed to the alternative weekly newspaper New York Press and the magazines Talk, Maxim, and Spy. In 1997 Monahan won a Pushcart Prize for his short story "A Relation of Various Accidents Observable in Some Animals Included in Vacuo". Monahan was an editor at Spy during the magazine's final years, where he would come in at the close of the monthly issue to rewrite articles and improve jokes.

William Monahan's 
novel Light House.
Picture found here.
Monahan wrote a novel titled Light House: A Trifle, and Warner Bros. optioned the film rights. In 1999 Talk magazine debuted, and Monahan contributed a travelogue on Gloucester, Massachusetts, to the first issue. In 2000 Monahan's first novel, Light House: A Trifle, was finally published, and it garnered critical acclaim; The New York Times proclaimed, "Monahan's cocksure prose gallops along" and BookPage Fiction called Monahan "a worthy successor to Kingsley Amis." In the second half of 2001 Monahan wrote a fictional column at the New York Press under the pseudonym of Claude La Badarian, which ran for 13 weeks. The screenplay adaptation has not been produced. A few years later, he bought back the rights and took the novel off the market.

In 2001, 20th Century Fox bought Monahan's spec script Tripoli, about William Eaton's epic march on Tripoli during the Barbary Wars, in a deal worth mid-six figures in American dollars, with Mark Gordon attached as producer. The script was given to Ridley Scott to direct. Monahan met with Scott to discuss Tripoli, and Scott mentioned his desire to direct a film about knights. Monahan suggested the Crusades as a setting, reasoning that "you've got every conceivable plot imaginable there, which is far more exotic than fiction". Scott was captivated by Monahan's pitch and hired him to write the screenplay for Kingdom of Heaven. Tripoli was eventually shelved, but Monahan retained ownership of the screenplay and therefore the right to consider new offers at a later date. 

Ridley Scott on the set of Kingdom of Heaven.
Picture found here.
Kingdom of Heaven was the first of Monahan's screenplays to be produced into a film. Monahan had negotiated a production write-through contract for Kingdom of Heaven, which allowed him to be present on the movie sets to make modifications to the shooting script during production. It was poorly received by critics when it was released in theaters in 2005. Kingdom was critically reappraised when it was released on DVD in the form of a director's cut that contained an additional 45 minutes of footage previously shot from Monahan's shooting script. Some critics were pleased with the extended version of the film.

Monahan steadily secured work in the film industry throughout the 2000s. Brad Pitt's production company, Plan B, hired Monahan to write an adaptation of Hong Kong director Andrew Lau's gangster film Infernal Affairs. Monahan respun Infernal Affairs as a battle between Irish American gangsters and cops in Boston's Southie district, and Martin Scorsese directed the completed screenplay under the title The Departed for Warner Bros. Monahan's work on the film would later earn him two Best Adapted Screenplay awards, from the Writers Guild of America and the Academy of Motion Picture Arts and Sciences.

William Monahan hugging
Martin Scorsese with the cast of
The Departed around them
at the 2008 Oscars.
Picture found here.
Monahan's second produced screenplay was The Departed, an adaptation of the Hong Kong action film Infernal Affairs. Jack Nicholson, one of the leads in the film, had an impact on the screenplay. "I had written the role as a post-sexual 68-year-old Irishman. Jack is post-sexual exactly never," Monahan said later. "What Jack did is great. Did he change the words? Not any of the good ones." Monahan received considerable praise from critics when the film was released in theaters in 2006, and was applauded for accurately depicting the city of Boston. Monahan used his intimate knowledge of the way Bostonians talk and act, learned from his youth spent in the many neighborhoods of Boston, to create characters that The Boston Globe described as distinctly indigenous to the city. By the end of 2006, The Departed had won many critics' prizes. Monahan was honored by The Boston Society of Film Critics with the award for best screenplay, by the Chicago Film Critics Association for best adapted screenplay, and by the Southeastern Film Critics Association with another best adapted screenplay award. Monahan took an unusual route for a screenwriter and hired a publicist to run a campaign promoting his screenplay during awards season. Monahan ended up winning two Best Adapted Screenplay awards for The Departed, from the Writers Guild of America and from the Academy of Motion Picture Arts and Sciences. He received an award for his writing in film at the US-Ireland Alliance’s second annual "Oscar Wilde: Honoring Irish Writing in Film" ceremony.

Poster of original
Confession of Pain.
Picture found here.
In 2006, Monahan negotiated a first-look producing deal with Warner Bros., which gives the studio the first right of first refusal on any films produced by Henceforth, a production company he started. In return Henceforth received the film rights to produce John Pearson's true crime novel The Gamblers, which Warner Bros. had acquired the rights to.

In 2007, Monahan was hired to work on two film projects: an adaptation of the Hong Kong film Confession of Pain and an original rock and roll film, The Long Play. Monahan will executive produce and write the adaptation for Confession of Pain which will be called Nothing in the World. The adaptation of Confession of Pain will be produced by Leonardo DiCaprio's production company, Appian Way, for Warner Bros. Pictures. Monahan's other assignment is to rewrite a screenplay about the history of the rock music business called The Long Play. The Long Play is the creation of Mick Jagger, lead singer of The Rolling Stones, and was nurtured at Jagger's production company, Jagged Films. Martin Scorsese became involved while the film project was at Disney but subsequently negotiated a turnaround deal to bring the The Long Play to Paramount.

Monahan's directorial debut was London Boulevard, released in 2010.
(Source #1)
His Movies:

Director's cut
dvd cover of
Kingdom of Heaven .
Picture found here.
- "Kingdom of Heaven" (2005) - "It is the time of the Crusades during the Middle Ages - the world shaping 200-year collision between Europe and the East. A blacksmith named Balian (Orlando Bloom) has lost his family and nearly his faith. The religious wars raging in the far-off Holy Land seem remote to him, yet he is pulled into that immense drama. Amid the pageantry and intrigues of medieval Jerusalem he falls in love, grows into a leader, and ultimately uses all his courage and skill to defend the city against staggering odds. Destiny comes seeking Balian in the form of a great knight, Godfrey of Ibelin (Liam Neeson), a Crusader briefly home to France from fighting in the East. Revealing himself as Balian's father, Godfrey shows him the true meaning of knighthood and takes him on a journey across continents to the fabled Holy City. In Jerusalem at that moment--between the Second and Third Crusades--a fragile peace prevails, through the efforts of its enlightened Christian king, Baldwin IV (Edward Norton), aided by his advisor Tiberias (Jeremy Irons), and the military..." Written by Sujit R. Varma (Source here.)

Poster of
The Departed.
Picture found here.
- "The Departed" (2006) - "In South Boston, the state police force is waging war on Irish-American organized crime. Young undercover cop Billy Costigan (Leonardo DiCaprio) is assigned to infiltrate the mob syndicate run by gangland chief Frank Costello (Jack Nicholson). While Billy quickly gains Costello's confidence, Colin Sullivan (Matt Damon), a hardened young criminal who has infiltrated the state police as an informer for the syndicate, is rising to a position of power in the Special Investigation Unit. Each man becomes deeply consumed by his double life, gathering information about the plans and counter-plans of the operations he has penetrated. But when it becomes clear to both the mob and the police that there's a mole in their midst, Billy and Colin are suddenly in danger of being caught and exposed to the enemy-and each must race to uncover the identity of the other man in time to save himself. But is either willing to turn on the friends and comrades they've made during their long stints undercover?" Written by Anonymous (Source here.)
- Won for the Boston Society of Film Critics Award 
for "Best Screenplay" of 2006.
- Won the Oscar for "Best Writing, Adapted Screenplay" for 2007, 
based on the 2002 screenplay by Alan Mak and Felix Chong.
- Nominated for a 2007 BAFTA for "Best Writing - Adapted".
- Nominated for the 2007 "Best Writer" Award 
from the Broadcast Film Critics Association. 
- Won the 2007 "Best Screenplay - Adapted" by the 
Central Ohio Film Critics Association.
- Won the Chicago Film Critics Association Award 
for "Best Screenplay - Adapted".
- Won the Edgar Allen Poe Award for 
"Best Motion Picture Screen Play" of 2007.
- Won for the Florida Film Critics Circle Award 
for "Best Screenplay" of 2006.
- Nominated for 2007 Golden Globe 
"Best Screenplay - Motion Picture" award.

Body of Lies poster.
Picture found here.
- "Body of Lies" (2008) - "Roger Ferris (Leonardo DiCaprio) is a CIA operative in the Middle East; Ed Hoffman (Russell Crowe) is his control at Langley. Cynicism is everywhere. In Amman, Roger works with Hani Salaam (Mark Strong), Jordan's head of security, whose only dictum is "Don't lie to me." The Americans are in pursuit of a cleric (Alon Aboutboul) who leads a group placing bombs all over Europe. When Hani rebukes Ed's demand that Jordan allow the Americans to use one of Jordan's double agents, Roger and Ed hatch a plan to bring the cleric to them. The plan is complicated by its being a secret from Hani and by Roger's attraction to a local nurse (Golshifteh Farahani). Satellites and cell phones, bodies and lies: modern warfare." Written by <jhailey@hotmail.com> (Source here.)

Edge of Darkness poster.
Picture found here.
- "Edge of Darkness" (2010) - "Thomas Craven (Mel Gibson) is a detective who has spent years working the streets of Boston. When his own daughter (Bojana Novakovic) is killed outside his own home, Craven soon realizes that her death is only one piece of an intriguing puzzle filled with corruption and conspiracy, and it falls to him to discover who is behind the crime." Written by alfiehitchie (Source here.)

London Boulevard
poster.
Picture found here.
- "London Boulevard" (2010) - "Fresh out of prison, Mitchel (Colin Farrell) wants nothing to do with crime, but he accepts a kip from Billy (Ben Chaplin), a marginal grafter, and accompanies Billy on rent-collection trips. He's also old school, wanting revenge on two youths for assaulting a mendicant he's befriended. He's got a strung-out sister to protect, and he's offered a job protecting a famous actress (Keira Knightley) from paparazzi. The plot lines join when Mitchel finds himself attracted to the actress and Billy's Mob boss, Gant (Ray Winstone), finds ways to force Mitchel work for him. He also warns Mitchel off revenge against the assailants of his friend. What are Mitchel's options: is there any way to avoid Gant, protect his sister, and find a path to love?" Written by jhailey@hotmail.com (Source here.)

William Monahan.
Picture found here.
Current & Future Projects:

Monahan made his directoral debut with his film "London Boulevard" which he also produced. His next production where he will write, produce and direct is called "Mojave" which is in pre-production and due out late 2013.

He also helped pen the screenplay of the much anticipated "Sin City" sequel, "Sin City: A Dame to Kill For" due out October 4th, 2013. It is being directed by Rob Rodriguez and Frank Miller, based on Frank Miller's graphic novel series. It will star Bruce Willis, Josh Brolin, Alexa Vega, Rosario Dawson, Jessica Alba, Joseph Gordon-Levitt, Eva Green, Mickey Rourke, Ray Liotta, Christopher Meloni, and many others.
(Source #2)

There are two unproduced screenplays which are: Jurassic Park IV and Blood Meridian. Jurassic Park IV based upon the movie franchise Jurassic Park which is based off of the best-selling book Jurassic Park by Michael Crichton. Blood Meridian is an adaptation of Cormac McCarthy's 1985 western novel Blood Meridian or the Evening Redness in the West.

Oblivion poster.
Picture found here.
Korean version of
The Chaser.
Picture found here.
There are other projects being produced, among them: Wartime Lies, The Chaser, Oblivion, and Nothing in the World, which was perviously mentioned. Wartime Lies is based upon a semi-autobiographical novel by Louis Begley first published in 1991. The Chaser is an adaptation of a 2008 South Korean crime movie of the same name. Oblivion is an upcoming 2013 science fiction film based on the Radical Comics graphic novel Oblivion by Joseph Kosinski and directed and co-produced by Kosinski. It stars Tom Cruise, Olga Kurylenko, Andrea Riseborough, Morgan Freeman, Melissa Leo, Zoë Bell, and Nikolaj Coster-Waldau. The film was initially scheduled to release on July 10, 2013. Since the 3D re-release of Jurassic Park was set for a July 19, 2013 release date, the project was moved forward to April 19, 2013.
(Source #1)
His Tips/Quotes on Screenwriting:

There is an entire article with William Monahan discussing how to create great dialogue, located here. Here's a snippet:

"What you’re doing in essence is fundamentally unnatural. Nobody is doing less natural dialogue than Shakespeare, but he’s the best dialogist that’s ever lived--still is. You don’t want to hear the way that people really talk. Look at me now. I’m not exactly talking in rolling periods or Augustan phrase. I’m just sort of bumbling around. That’s what most people do in real-life conversations. Unless you’re Christopher Hitchens, who speaks in whole paragraphs, or God bless him, used to speak in whole paragraphs. You’re sort of fumbling around for meaning, whereas in written drama, you have to get at it."

There's an interview with Monahan located at Collider.com. It's a very interesting read. Originally, I found it at GoIntoTheStory.BlckLst.com. Here's a quote:

"The thing about this business is that you have to come out of your shell and deal with certain realities of commerce and collaboration and still come up with a masterpiece at the end of it. And you know what? The masterpiece also has to make money. It’s not easy to walk into that set of problems and come out with a work of art at the end of it, but it can be done. As far as getting notes is concerned, I‘ve spent thirty-odd years studying English drama, so I’m personally at a point where I’m post-conscious about craft, but that’s a pricey personal evolution, that’s a thing I chose to do, and you have to remember not everyone’s had time for it, any more than you can expect some other guy off the street to know kung fu or biochemistry. So yeah, there I am, and I sure I know English drama, plus film, and sometimes the other guy knows what somebody at a class told him a screenplay needs, and there’s a difference, but I tell myself what I’d say to my kids or anybody else: when your boss is talking, you listen. The studios catch a lot of crap from the peanut gallery but they’re the guys who pay for the movies and they are rightfully concerned about their investments. I don’t expect an MBA to be Northrop Frye, but I do want to hear his opinions and I’d ask for them were they not given. Do I want to hear “arc” and “journey” and how does someone “change” through the course of the movie? No, I do not. People change in stories about people changing, not in every story. Not every story is A Christmas Carol. You get this crap about “story” because of these chuckleheads out there running script classes, who really prey on confusion about art and people’s genuine desire to learn. It’s shameful what they’ve done to discourse about motion pictures and to film itself. Writers literally get fired in this business because they aren’t providing enough “journey” in a story that doesn’t call for any. There are no general rules to any sort of writing. Each work has its own inherent rules. You discover them. You don’t import them."

Thursday, January 17, 2013

Screenwriter of the Month: I. A. L. Diamond

I. A. L. Diamond.
Picture found here.
A Short Biography:

"[On June 27th, 1920) Diamond was born Iţec (Itzek) Domnici in Ungheni, Iaşi County, Bessarabia, Romania, present day Moldova, was referred to as "Iz" in Hollywood, and was known to quip that his initials stood for "Interscholastic Algebra League".

"Diamond emigrated with his family to the Crown Heights area of Brooklyn in the United States at the age of 9. There he studied at the Boy's High School, showing ability in mathematics, competing in the state Mathematics Olympiads in 1936-37, winning several gold medals.

"Diamond completed his undergraduate studies at Columbia in 1941. There he studied journalism, publishing in the Columbia Daily Spectator under the pseudonym "I.A.L. Diamond". He was editor of the humor magazine Jester of Columbia, a member of the Philolexian Society, and became the only person to single-handedly write four consecutive productions of the annual revue, the Varsity Show. As a result, upon graduation he abandoned his plans to pursue his master's at Columbia and accepted a short-term contract in Hollywood.

"A succession of limited-term contracts ensued, notably at Paramount Pictures where he worked on projects without ultimately receiving a writing credit. He then moved to Universal, where in 1944 he worked on his first credited feature script, Murder in the Blue Room. It was a year later, at Warner Brothers, that he achieved his first real success and consequent recognition with Never Say Goodbye in 1946. He worked at 20th Century Fox from 1951–55, eventually deciding to become independent.

Billy Wilder (L) and I. A. L. Diamond.
Picture found here.
"In 1957 he began a collaborative relationship with Billy Wilder on the movie Love in the Afternoon. From there, the pair had a string of hits with Some Like It Hot; The Apartment (which won an Academy Award for Best Screenplay); One, Two, Three; Irma la Douce; the Oscar-nominated The Fortune Cookie; the sex comedy Kiss Me, Stupid; and The Private Life of Sherlock Holmes. Diamond also had a hit with his 1969 solo adaptation of the play Cactus Flower into the movie of the same name.

"In total, Diamond and Wilder wrote twelve movies together over 25 years. Some of these films feature characters engaged in never-ending but friendly squabbling, such as Joe and Jerry in Some Like it Hot and Holmes and Watson in The Private Life of Sherlock Holmes. Diamond's widow claims that these characters were based on her husband's relationship with Wilder.

"In 1980, Diamond and Wilder were given the Writers Guild of America's Laurel Award for career achievement in screenwriting. Wilder had previously received the Laurel Award in 1957 for his screenwriting partnership with Charles Brackett.

"Diamond died in Beverly Hills, California [on April 21st] in 1988." (Source #1)

His Best Known and Awarded Movies:

"Love in the Afternoon"
movie poster.
Picture found here.
 - "Love in the Afternoon" (1957) - "Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy (Gary Cooper) fascinated by the daughter (Audrey Hepburn) of a private detective (Maurice Chevalier) who has been hired to entrap him with the wife of a client." Written by Ray Hamel (Source here.) 
- Won the 1958 Writer's Guild of America for "Best
Written American Comedy" with Billy Wilder.
- Nominated for a Golden Globe in 1958 
for "Best Motion Picture - Musical/Comedy".

"Some Like It Hot"
movie poster.
Picture found here.
- "Some Like It Hot" (1959) - "When two Chicago musicians, Joe (Tony Curtis) and Jerry (Jack Lemmon), witness the the St. Valentine's Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo (George Raft). They're desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk (Marilyn Monroe) who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/Daphne is wooed by a millionaire, Osgood Fielding III (Joe E. Brown). Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords." Written by garykmcd (Source here.) 
- Nominated with Billy Wilder for an Oscar for "Best Writing, 
Screenplay Based on Material from Another Medium" in 1960. 
- Awarded one of the Top Ten Films of 1959 
by the National Board of Review.

"The Apartment"
German movie poster.
Picture found here.
- "The Apartment" (1960) - "Insurance statistician C.C. "Bud" Baxter (Jack Lemmon) advances his career by making his Manhattan apartment available to executives in his company for their extramarital affairs. His boss, Jeff D. Sheldrake (Fred MacMurray), finds out and promotes Bud in return for the exclusive use of the apartment for his own affair. When Sheldrake's girlfriend turns out to be Fran Kubelik (Shirley MacLaine), a pretty elevator operator Bud likes, he is heartbroken, but accepts the arrangement." Written by filmfactsman (Source here.)
- Won the 1961 Oscar for "Best Writing, Story and
Screenplay - Written Directly for the Screen"
with Billy Wilder.
- Won the 1961 Golden Globe for "Best Motion Picture - Comedy".

"The Fortune Cookie"
movie poster.
Picture found here.
- "The Fortune Cookie" (1966) - "A cameraman (Jack Lemmon) is knocked over during a football game. His brother-in-law (Walter Matthau) as the king of the ambulance chasing lawyers starts a suit while he's still knocked out. The cameraman is against it until he hears that his ex-wife (Judi West) will be coming to see him. He pretends to be injured to get her back, but also sees what the strain is doing to the football player (Ron Rich) who injured him." Written by John Vogel (Source here.)
- Nominated for an Oscar for the 1967 "Best Writing, Story and Screenplay - 
Written Directly for the Screen" with Billy Wilder.
- Nominated for the 1967 Writer's Guild of
America for "Best Written American Comedy"
with Billy Wilder.

"Cactus Flower"
movie poster.
Picture found here.
- "Cactus Flower" (1967) - "Toni Simmons (Goldie Hawn) believes that the only reason her married lover won't leave his wife is because of the children. In truth, her lover, dentist Julian Winston (Walter Matthau), doesn't have any children. In fact, Julian doesn't even have a wife - he just tells women he does to avoid getting involved. When Julian does decide to take the plunge with Toni she insists on meeting the first wife and Julian enlists the aid of his long-time nurse/receptionist Stephanie Dickinson (Ingrid Bergman) to play the part." Written by A.L.Beneteau (Source here.)
- Nominated in 1970 by the Writer's Guild of America
for "Best Comedy Adapted From Another Medium". 

"The Private Life of
Sherlock Holmes"
movie poster.
Picture found here.
- "The Private Life of Sherlock Holmes" (1970) - "Director Billy Wilder adds a new and intriguing twist to the personality of intrepid detective Sherlock Holmes. One thing hasn't changed however: Holmes' crime-solving talents. Holmes (Robert Stevens) and Dr. Watson (Colin Blakely) take on the case of a beautiful woman (Genevieve Page) whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments. Can the sleuths make sense of all this and solve the mystery?" Written by Joel Preuninger (Source here.) Also stars Christopher Lee as Mycroft Holmes.
- Nominated for the Edgar Allen Poe Award 
for "Best Motion Picture" in 1971.
- Nominated with Billy Wilder for "Best Comedy Written Directly for 
the Screen" in 1971 by the Writer's Guild of America.

(Source #2)

His Tips on Screenwriting:

Actually, I can't find any quotes from him at all. But, I did find an interesting article via the Black List's blog. In the article, Diamond and Billy Wilder discuss how they write and make a movie. It is thought-provoking to say the least. To read 'part 1', go here.

Sources:
- #1 - http://en.wikipedia.org/wiki/I._A._L._Diamond
- #2 - http://www.imdb.com/name/nm0224634/

Also, as a treat, Billy Wilder on writing: