Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts

Thursday, March 14, 2013

Screenwriter of the Month: Sidney Howard

Sidney Howard.
Picture found here.
A Short Biography:

Sidney Howard was born in Oakland, California, the son of Helen Louise (née Coe) and John Lawrence Howard. He graduated from theUniversity of California, Berkeley in 1915 and went on to Harvard University to study the art of playwriting under George Pierce Baker in his "47 workshop." Along with other students of Harvard professor A. Piatt Andrew, Sidney Howard volunteered with Andrew's American Field Service, serving in France and the Balkans during World War I. After the War, Howard, competent at foreign languages, translated a number of literary works from French, Spanish, Hungarian and German.

In 1921, Howard had his first Broadway production, with a neo-romantic verse drama, Swords, which failed to win approval from either audiences or critics. It was with his realistic romance, They Knew What They Wanted in 1924 that Howard found recognition. The story of a middle-aged Italian vineyard owner who woos a young woman by mail with a false snapshot of himself, married her, and then forgives her when she becomes pregnant by one of his farm hands, it was praised for its non-judgmental and unmelodramatic view of adultery, and its warm-hearted, tolerant view of all its characters. The play won the 1925 Pulitzer Prize for Drama, was thrice adapted into film (1928, 1930, and 1940) and later became the Broadway musical, The Most Happy Fella. Lucky Sam McCarver, a coolly observed, unsentimental account of the marriage of a New York speakeasy owner on his way up in the world with a self-destructive socialite on her way down, failed to attract audiences but won the admiration of some reviewers. The Silver Cord, a drama about a mother who is pathologically close to her sons and works to undermine their romances, was one of the most successful plays of the 1926-27 Broadway season.

Picture found here.
A prolific writer, and a founding member of the Playwrights' Company, he wrote or created more than seventy plays; he also directed and produced a number of works. In 1922 he married actress Clare Eames (1896–1930) who had played the female lead in Swords. She later starred in Howard's Lucky Sam McCarver (1925), and Ned McCobb's Daughter (1926) on Broadway, and The Silver Cord in London (1927). Clare Eames was the niece of opera singer Emma Eames on her father's side, and of the inventor Hiram Percy Maxim on her mother's side, and a granddaughter of former Maryland governor, William Thomas Hamilton. Howard and Eames had a daughter, Jennifer Howard. They separated in 1927, and Howard's anger and frustration at the disintegration of his marriage is reflected in his bitter satire of modern matrimony, Half Gods (1929). Following the unexpected death of Eames in 1930, Sidney Howard married Leopoldine (Polly) Damrosch, daughter of the conductor Walter Johannes Damrosch in 1931, with whom he had three children.

A particular admirer of the understated realism of French playwright Charles Vildrac, Howard adapted two of his plays into English, under the titles, S. S. Tenacity (1929) and Michael Auclair (1932). One of his greatest successes on Broadway was an adaptation of a French comedy by Rene Fauchois, The Late Christopher Bean. Yellow Jack, an historical drama about the war against yellow fever, was praised for its high purpose and innovative staging when it premiered in 1934.

Picture found here.
Hired by Samuel Goldwyn, Howard worked in Hollywood, writing several successful screenplays. In 1932, Howard was nominated for an Academy Award for his adaptation of the Sinclair Lewis novel Arrowsmith, and again in 1936 for Dodsworth, which he had adapted for the stage in 1934.

Howard wrote the stage adaption of Humphrey Cobb's novel Paths of Glory which played on Broadway in 1935. The play was a flop because of its harsh anti-war scenes that alienated the audience, as a World War I veteran Howard wanted to show the horrors of war. Convinced that the novel should be filmed, Howard wrote, “It seems to me that our motion picture industry must feel something of a sacred obligation to make the picture.” The film version of the novel directed by Stanley Kubrick did not appear until 1957. Howard's screenplay for Gone with the Wind echoed, perhaps, Paths of Glory, with an unflinching look at the horrors of war.

Posthumously, he won the 1939 Academy Award for Writing Adapted Screenplay for Gone with the Wind (he was the only one honored, despite the fact that his script was revised by several other writers). This was the first time a posthumous nominee for any Oscar won the award.

Picture found here.
A lover of the quiet rural life, Sidney Howard died in Tyringham, Massachusetts while working on his 700-acre (2.8 km2) hobby farm. Howard was crushed to death in a garage by his two and one half ton tractor. He had turned the ignition switch on and was cranking the engine to start it when it lurched forward, pinning him against the wall of the garage. Apparently an employee had left the transmission in high gear.

He is buried in the Tyringham Cemetery.

Howard left behind a number of unproduced works. Lute Song, an adaptation of an old Chinese play co-written with Will Irwin, premiered on Broadway in 1946. A lighthearted reworking of the Faust legend, Madam, Will You Walk?, closed out of town when produced by the Playwrights Company in 1939, but was more warmly received as the first production of the Phoenix Theatre in 1953.

His Best Known & Awarded Movies:

"A Lady to Love"
movie poster.
Picture found here.
- "A Lady to Love" (1930) - Based upon Howard's play, They Knew What They Wanted, "A Lady to Love" is about a "middle-aged Napa Valley grape-grower Tony (Edward G. Robinson) posts a marriage proposal to San Francisco waitress Lena (Vilma Banky) enclosing a photo of his handsome younger brother Buck (Robert Ames). When she gets there she overlooks his duplicity and marries him. Then she falls in love with Buck." Written by Ed Stephan (Source here.)

"Arrowsmith"
movie poster.
Picture found here.
- "Arrowsmith" (1931) - Starring Ronald Colman and Helen Hayes, and "based on a Sinclair Lewis novel Martin Arrowsmith. A medical researcher is sent to a plague outbreak, where he has to decide priorities for the use of a vaccine." Written by Anonymous (Source here.)
- Nominated for a 1932 Oscar for 
"Best Writing, Adaptation"

"The Silver Cord"
movie poster.
Picture found here.
- "The Silver Cord" (1933) - Based on Howard's play of the same name, "The Silver Cord" is about "a domineering matriarch (Irene Dunne) is less than happy when her son (Joel McCrea) brings home his new bride (Laura Hope Crews). She immediately sets to work at sabotaging their marriage as well as the engagement of her younger and weaker son (Eric Linden)." Written by Daniel Bubbeo (Source here.)

"Dodsworth"
movie poster.
Picture found here.
- "Dodsworth" (1936) - Based on a Sinclair Lewis novel, it's about "[the] bittersweet tale of the increasing estrangement of a retired automobile tycoon (Walter Huston) and his wife (Ruth Chatterton). Increasingly obsessed with maintaining an appearance of youth, she falls in with a crowd of frivolous socialites during their 'second honeymoon' European vacation. He, in turn, meets a woman (Mary Astor) who is everything she is not; self-assured, self-confident, and able to take care of herself." Written by Sonya Roberts (Source here.)
- Nominated for an Oscar in 1937 for 
"Best Writing, Screenplay"

"Raffles" movie poster.
Picture found here.
- "Raffles" (1939) - "Man about town and First Class cricketer A.J. Raffles (David Niven) keeps himself solvent with daring robberies. Meeting Gwen (Olivia de Havilland) from his schooldays and falling in love all over again, he spends the weekend with her parents, Lord and Lady Melrose. A necklace presents an irresistible temptation, but also in attendance is Scotland Yard's finest, finally on the trail." Written by Jeremy Perkins (Source here.)

"Gone with the Wind"
movie poster.
Picture found here.
- "Gone With the Wind" (1939) - "This tale of the Old South from the start of the Civil War through to the period of reconstruction focuses on the beautiful Scarlett O'Hara (Vivien Leigh). Before the start of the war life at the O'Hara plantation, Tara, could only be described as genteel. As for the young Scarlett, she is without doubt the most beautiful girl in the area and is always the belle of the ball. She is very much looking forward to a barbecue at the nearby Wilkes plantation as she will get to see the man she loves, Ashley Wilkes (Leslie Howard). She is more than a little dismayed when she hears that he is to marry his cousin Melanie Hamilton (Olivia de Havilland) and in a fit of anger, she decides to marry Melanie's brother. War is soon declared and as always seems to be the case, men march off to battle thinking that it will only last a few weeks. Now living in Atlanta, Scarlett sees the ravages that war brings. She also becomes re-acquainted with Rhett Butler (Clark Gable), whom she had first met at the Wilkes barbecue. Now a widow, she still pines for the married Ashley and dreams of his return. With the war lost however, she returns to Tara and faces the hardship of keeping her family together and Tara from being sold at auction to collect the taxes. She has becomes hardened and bitter and will do anything, including marrying her sister's beau, to ensure she will never again be poor and hungry. After becoming a widow for the second time, she finally marries the dashing Rhett but they soon find themselves working at cross-purposes, their relationship seemingly doomed from the outset." Written by garykmcd (Source here.) Also stars Hattie McDaniel who was the first African American to be nominated for an Oscar in 1940 for "Best Actress in a Supporting Role" and the first to win for her role as Mammy.
- Won the 1940 Oscar for "Best Writing, Screenplay". 
Though four others had helped write the screenplay 
(Oliver H.P. Garrett, Ben Hecht, Jo Swerling, 
and John Van Druten), Howard was the only one to receive it. 
He's also the first person to be posthumously 
nominated and awarded for an Oscar. 

"They Knew What They
Wanted" movie poster.
Picture found here.
- "They Knew What They Wanted" (1940) - Screenplay written by Robert Ardrey and based upon Howard's Pulitzer Prize winning play of the same name. "Tony (Charles Laughton), a successful but illiterate middle-aged grape farmer, sends the photograph of his handsome young foreman, Joe (William Gargan), instead of his own, hoping to woo and marry Amy (Carole Lombard), a waitress in a San Francisco restaurant. Through a series of letters, the two become close and Tony invites his 'future wife' to visit. When the beautiful, young Amy arrives at Tony's Napa, California ranch she falls for the wrong man thinking that Joe (William Gargan) is the wealthy Tony. When Tony tries to win her over in broken English, she is at first furious and then charmed. But Tony breaks his legs while showing off to impress Amy, and -- left alone to care for a cripple -- she reluctantly succumbs to Joe's charms and becomes pregnant. Although Tony discovers that he has been cuckolded and that Joe has run off, his anger turns to genuine love and he offers to take Amy back unconditionally for the sake of the child and his own true feelings for Amy." Written by E. Summer (Source here.)

Sources:
- #1 - http://en.wikipedia.org/wiki/Sidney_Howard

Wednesday, September 26, 2012

"Titanic" 2012 TV Mini-Series Review

"Titanic" movie poster.
"Follows the lives of the ship's passengers, from all walks of life, as they travel on the maiden voyage of the ill-fated Titanic. From the wealthy family of the Earl of Manton, the designers of the ship, to the stokers in the engine room - who will make it onto the lifeboats?" Written by Anonymous (Link below.)

Glen Blackhall (L) and
Jenna-Louise Coleman.
Meant to appear on the anniversary of the fateful ship's sinking (it did show, I just didn't see it until now), produced by Nigel Stafford-Clark (Warriors, The Way We Live Now), written by Julian Fellowes (Gosford Park, Vanity Fair, The Young Victoria), "it sets out to paint a portrait of a whole society, telling the stories of a wide range of characters, both real and imagined, from every social level. Their narratives are developed and gradually interwoven over the first three episodes, each of which ends in a cliffhanger as the ship begins to founder. The fourth and final episode draws all of the different stories together and reveals to the audience who survives." (Link below.)

Maria Doyle Kennedy (L) and Toby Jones.
The cast was pretty amazing: Linus Roache, Geraldine Somerville, Perdita Weeks, Toby Jones, Maria Doyle Kennedy, Peter McDonald, Steven Waddington, Glen Blackhall, Antonio Magro, Jenna-Louise Coleman, Noah Reid, David Calder, Sophie Winkleman, and Dragos Bucur (who has the coolest name ever and appeared nude in a movie so expect that review soon. ;D)

Perdita Weeks -
look at that beautiful hat!
I thought the pacing was good. Each episode ended with a cliffhanger, so you had to keep watching. It was interesting how they showed certain people's perspective. Even though the cast is quite large, it felt like the ship wasn't really that big. There was so much focus on certain people that you forgot how many people were on it, so it was not as dramatic a catastrophe as I think the tragedy actually was. I did cry a lot though, so maybe it is more of a hindsight thing. They could've added more people and made it a longer series. I would've watched the whole thing, it was beautifully done.

Dragos Bucur.
The clothes were very good. I loved the hats and the dresses Perdita Weeks character, Lady Georgiana Gregs, wore. They were beautiful.

I think the person in charge of the music may have had a harder time than most trying not to sound too dramatic because it would definitely have reminded me of the James Cameron flick. Even still, they probably could've made it a bit more rousing and tense.

I can't compare this to other TV series because I don't watch TV, but I might start watching that Downton Abbey and The Borgias. The only thing I have watched to compare this to is the Cameron movie. It isn't as stirring as that movie and it had a claustrophobic feel to it, but it was still good. 


Peter McDonald.

Tuesday, September 25, 2012

"The Phantom of the Opera" at the Royal Albert Hall Review

"The Phantom of the Opera at the Royal Albert Hall" movie poster.
"In 1986, Andrew Lloyd Webber's The Phantom of the Opera arrived on the West End stage at Her Majesty's Theatre. Fast forward 25 years and Phantom has achieved global success, millions of viewers, a film adaptation in 2004 and a musical sequel. Now viewers have the chance to experience this phenomenal show right from their own screens. Filmed at the Royal Albert Hall, this stunning performance brings the show to a bigger stage and celebrates its role as one of the biggest shows in theatre history, with speeches, performances and appearances by the original cast and some of the show's most notable Phantoms, including Anthony Warlow, Peter JobackJohn Owen-JonesColm Wilkinson, and Michael Crawford. Starring Ramin Karimloo and Sierra Boggess, Phantom tells the story of a deformed musical genius who lives in the catacombs of the Paris Opera House. Shunned by society, the Phantom seeks revenge in cruel and often violent acts. The Phantom is in love with chorus girl Christine Daaé and has been secretly training her to replace La Carlotta as the opera's reigning diva. However, when Christine is thrust into the spotlight, she is also reunited with childhood friend Raoul. Passion, obsession and chaos ensue as Christine finds herself torn between her love for Raoul and her strange pull towards the mysterious and dangerous Phantom." Written by LadyN1 (Link below.)


"The Phantom of the Opera
at the Royal Albert Hall" dvd cover.

Sierra Boggess as Christine.
That was a beautifully orchestrated version of the musical. I loved the clothes as well. It definitely reminded me of the first time I saw this on Broadway nearly seven years ago now. It was awesome. I loved the sets and everything. The Phantom I saw in real life, Howard McGillin (site here), is probably still my favorite, but this one, Ramin Karimloo, was great as well, though I thought a bit young for the role, but he had a beautiful voice.

Raoul, played by Hadley Fraser, was handsome as well and was very spirited onstage (he should update his IMDB profile - hint hint). Christine, played by Sierra Boggess, was also beautiful and I thought a better actress than Sarah Brightman.

Scene from "The Phantom of the Opera
at the Royal Albert Hall".
This should definitely appeal to those who didn't like the movie version of this popular musical. While I liked the movie version, many others didn't, most say because they thought the actors in it weren't good enough singers to have participated. There were little bits in it that made it more like the movie version rather than the original onstage musical, but they were practically unnoticeable unless you're obsessed like I once was.

I really appreciated how the makeup artists tried really hard not to make the makeup look overmuch as it usually is in a play. That would've been ghastly.

(L to R) Hadley Fraser, Ramin Kaminloo,
and Sierra Boggess.
The only thing I would say that I didn't like about the production was how technologically advanced they tried to make it. There were LED screens for the backdrops and it was interesting to look at from far away and surely easier for the stage crew as they didn't have to load heavy set pieces onstage. But when you got up real close it became pixelated and really freaking ugly, whereas a real set would probably have only looked cheap up close rather than nonexistent. So that's where I would say I preferred a real set to an LED screen if I was watching a musical or stage play on screen, but if I had been there I don't know if it would have bothered me as much. It probably looked cool.

The libretto is available here: http://www.scribd.com/doc/25668194/Phantom-of-the-Opera-Script-Libretto.



Ramin Karimloo as the Phantom.

Friday, September 7, 2012

"The Departed" Movie Review

"The Departed" series of movie posters
featuring Matt Damon and Leonardo DiCaprio.
"In South Boston, the state police force is waging war on Irish-American organized crime. Young undercover cop Billy Costigan (Leonardo DiCaprio) is assigned to infiltrate the mob syndicate run by gangland chief Frank Costello (Jack Nicholson). While Billy quickly gains Costello's confidence, Colin Sullivan (Matt Damon), a hardened young criminal who has infiltrated the state police as an informer for the syndicate, is rising to a position of power in the Special Investigation Unit. Each man becomes deeply consumed by his double life, gathering information about the plans and counter-plans of the operations he has penetrated. But when it becomes clear to both the mob and the police that there's a mole in their midst, Billy and Colin are suddenly in danger of being caught and exposed to the enemy-and each must race to uncover the identity of the other man in time to save himself. But is either willing to turn on the friends and comrades they've made during their long stints undercover?" (Link below.)

Jack Nicholson (L)
and Matt Damon.
Not much to say, except this Martin Scorsese film blew my mind! Also, it won the Oscar for Best Picture, Best Adapted Screenplay, Best Directing, and Best Film Editing (although I don't think it should've gotten that one - even I noticed those mistakes) in 2007.

Script available here: http://www.screenplaydb.com/film/scripts/departedthe200609/.

"The Departed" movie poster
featuring Jack Nicholson.
Favorite Lines:

[Brown is telling Billy why he signed up for the police
Brown: So she tells me, "You never finish anything. You finish the police course, you get taken care of again, baby." So after graduation, I get a blowjob again. 
Billy Costigan: That's great. Your mother sounds like a wonderful woman. 
Brown: Fuck yourself. 
Billy Costigan: Look at it this way: You're a black guy in Boston. You don't need any help from me to be completely fucked. 

Ellerby: Go fuck yourself. 
Dignam: I'm tired from fucking your wife. 
Ellerby: How is your mother? 
Dignam: Good, she's tired from fucking my father.
Leonardo DiCaprio.

"Shutter Island" Movie Review


"Shutter Island" movie poster.
"Federal Marshall Teddy Daniels (Leonardo DiCaprio) and his new partner Chuck Aule (Mark Ruffalo) travel to a government-run mental institution for the criminally insane on Shutter Island, near Boston, when there is a report that one of the prisoners has gone missing. Daniels has his own reasons for wanting to get to the island and carries baggage of his own. He is still traumatized from what he saw when his army unit liberated one of the Nazi concentration camps at the end of World War II and is still haunted by the more recent death in a fire of his wife. The head of the hospital, Dr. John Cawley (Ben Kingsley), treats him alright but others give the agents a less than warm reception. Daniels particularly wants to find out what is going on in one of the wards, reserved for the most serious offenders. As Daniels begins to peal away the layers of deceit, it becomes obvious that not all is as it seems." Written by garykmcd (Link below.)

Leonardo DiCaprio.
Based on the novel by Dennis Lehane and directed by Martin Scorsese, I really enjoyed this movie. (Book review found here.) I thought it was very well-done. The script was great. Someone had already told me the ending so I knew what was coming and could see the various ways the scene would look to the detective and to someone who knew what was really going on.

The ending makes me wonder though. I'm trying not to give too much away, but it seems as if he did it on purpose and he walked away with the orderlies just fine. Like he knew what was coming and was welcoming it. I can understand why he would not to live with what he knew. I don't know if I could.

Ben Kingsley.
I recommend this movie if you liked "The Machinist", "The Sixth Sense", or "Unbreakable".

I'm definitely gonna read the book now. I hope it's as good as the movie.

Script available here: http://screenplayexplorer.com/wp-content/scripts/Shutter_Island.pdf.

Favorite Lines:

[Daniels has asked the staff about Rachel's activities before her disappearance
Teddy Daniels: Anything unusual occur? 
Nurse Marino: Define 'unusual'. 
Teddy Daniels: Excuse me? 
Nurse Marino: This is a mental institution, Marshal. For the criminally insane. Usual isn't a big part of our day.

Leonardo DiCaprio.
Dr. John Cawley: [examines Rachel's note] Ah, this is definitely Rachel's handwriting. I have no idea... what the "Law of Four" is, though. 
Teddy Daniels: It's not a psychiatric term? 
Dr. John Cawley: No, I'm afraid not. 
Chuck Aule: [reads the note] "Who is 67?" Fucked if I know. 
Dr. John Cawley: I have to say that's quite close to my clinical conclusion.

Warden: Did you enjoy God's latest gift? 
Teddy Daniels: What? 
Warden: God's gift. Your violence. 
[Daniels looks at him blankly
Warden: When I came downstairs in my home, and I saw that tree in my living room, it reached out for me... a divine hand. God loves violence. 
Teddy Daniels: I... I hadn't noticed. 
Warden: Sure you have. Why else would there be so much of it? It's in us. It's what we are. We wage war, we burn sacrifices, and pillage and plunder and tear at the flesh of our brothers. And why? Because God gave us violence to wage in his honor. 
Teddy Daniels: I thought God gave us moral order. 
Warden: There's no moral order as pure as this storm. There's no moral order at all. There's just this: can my violence conquer yours?

An image from the film "Shutter Island".
Warden: If I was to sink my teeth into your eye right now, would you be able to stop me before I blinded you? 
Teddy Daniels: Give it a try. 
Warden: That's the spirit.

Dr. John Cawley: Why are you all wet, baby?

Teddy Daniels: After she tried to kill herself the first time, Dolores told me she... she had an insect living inside her brain. She could feel it clicking across her skull, just... pulling the wires, just for fun. She told me that. She told me that but I didn't listen. I loved her so much.

"Shutter Island"
book cover.
"Shutter Island"
book cover.
Teddy Daniels: So, what's our next move? 
Chuck Aule: You tell me. 
Teddy Daniels: I gotta get off this rock, Chuck. Get back to the mainland. Whatever the hell's going on here, it's bad. 
[pause] 
Teddy Daniels: [sotto voce] Don't worry, partner, they're not gonna catch us. 
Chuck Aule: That's right, we're too smart for 'em. 
Teddy Daniels: Yeah, we are, aren't we? 
[pause] 
Teddy Daniels: You know, this place makes me wonder. 
Chuck Aule: Yeah, what's that, boss? 
Teddy Daniels: Which would be worse - to live as a monster? Or to die as a good man?
[gets up and walks off]
Chuck Aule: Teddy?

"Another Earth" Movie Review


"Another Earth" movie poster.
"On the night of the discovery of a duplicate planet in the solar system, an ambitious young student (Brit Marling) and an accomplished composer (William Mapother) cross paths in a tragic accident." (Link below.)

This was certainly a very interesting film. I would never have been able to come up with something like that. Another whole planet with my exact likeness on it, perhaps with a completely different life than mine.... almost too much for me to understand. Very exciting that Brit Marling, who starred in it and did a great job, also cowrote it with the director, Mike Cahill.

I thought it was beautifully filmed and the music was wonderful. There is even a scene where an actor plays a saw (the kind you use to cut wood) like an instrument which I have never seen before nor heard before.

I would've liked to have seen more science geek stuff like tides and gravity effected by the proximity of the earth being so close to another earth but that wasn't really the story here and I can understand why they would want to skip that.

"Another Earth" movie poster featuring Brit Marling.
I don't want to talk about the ending except to say that it is bittersweet and surprising. I very much enjoyed watching this film and hope there is more like it.

Favorite Lines:

Richard Berendzen: In the grand history of the cosmos, more than thirteen thousand million years old, our Earth is replicated elsewhere. But maybe there is another way of seeing this world. If any small variation arises-they look this way, you look that way-suddenly maybe everything changes and now you begin to wonder, what else is different? Well, one might say that you have an exact mirror image that is suddenly shattered and there's a new reality. And therein lies the opportunity and the mystery. What else? What new? What now?

Rhoda Williams: When early explorers first set out West across the Atlantic, most people thought the world was flat. Most people thought if you sailed far enough West, you would drop off a plane into nothing. Those vessels sailing out into the unknown, they weren't carrying noblemen or aristocrats, artists or merchants. They were crewed by people living on the edge of life: the madmen, orphans, ex-convicts, outcasts like myself. As a felon, I'm an unlikely candidate for most things. But perhaps not for this. Perhaps I am the most likely.

Beautiful image from the movie "Another Earth".
Rhoda Williams: You know that story of the Russian cosmonaut? So, the cosmonaut, He's the first man ever to go into space. Right? The Russians beat the Americans. So he goes up in this big spaceship, but the only habitable part of it's very small. So the cosmonaut's in there, and he's got this portal window, and he's looking out of it, and he sees the curvature of the Earth for the first time. I mean, the first man to ever look at the planet he's from. And he's lost in that moment. And all of a sudden this strange ticking... Begins coming out of the dashboard. Rips out the control panel, right? Takes out his tools. Trying to find the sound, trying to stop the sound. But he can't find it. He can't stop it. It keeps going. Few hours into this, begins to feel like torture. A few days go by with this sound, and he knows that this small sound... will break him. He'll lose his mind. What's he gonna do? He's up in space, alone, in a space closet. He's got 25 days left to go... with this sound. So the cosmonaut decides... the only way to save his sanity... is to fall in love with this sound. So he closes his eyes... and he goes into his imagination, and then he opens them. He doesn't hear ticking anymore. He hears music. And he spends the rest of the voyage sailing through space in total bliss... and peace.


"A Dangerous Method" Movie Review

"A Dangerous Method" movie poster.

"Suffering from hysteria, Sabina Spielrein (Keira Knightley) is hospitalized under the care of Dr. Carl Jung (Michael Fassbender) who has begun using Dr. Sigmund Freud's (Viggo Mortensen) talking cure with some of his patients. Spielrain's psychological problems are deeply rooted in her childhood and violent father. She is highly intelligent however and hopes to be a doctor, eventually becoming a psychiatrist in her own right. The married Jung and Spielrein eventually become lovers. Jung and Freud develop an almost father-son relationship with Freud seeing the young Jung as his likely successor as the standard-bearer of his beliefs. A deep rift develops between them when Jung diverges from Freud's belief that while psychoanalysis can reveal the cause of psychological problems it cannot cure the patient." Written by garykmcd (Link below.)

Keira Knightley (L) and Michael Fassbender.
An absolutely brilliant movie about not two, but three brilliant minds of the psycho-analytical world, Sabina Spielrein, played by Keira Knightly, Sigmund Freud, played by Viggo Mortensen, and Carl Jung, played by Michael Fassbender. It was quite fun to watch Mr. Mortensen act like Freud, although I can't entirely explain why.

There is something that was a bit absent during the movie, but it's a good thing. Freud and Jung had many discussions together concerning the interpretation of their dreams and analysis of their patients (in particular, Spielrein) but they didn't discuss it overmuch. I know a few people (psychologist majors and alike) who don't usually walk into a movie theatre expecting to learn things, might, for some idiotic reason, think that will be different in the case of this movie. I didn't really learn more than what was already floating around in the ether of common knowledge these days. But I did learn that Sigmund Freud and Carl Jung were not immune to life and its issues, like jealousy, prejudice or submitting to a forbidden relationship.

The only thing that I had a problem with the movie was the stupid tagline they put on the poster: "Based on the true story of Jung, Freud and the patient that came between them." That's not exactly what happened, if anything she tries to patch things up between them. And the tagline also makes one think that (if one does not know the story of Freud and Jung) that they had both slept with her and it caused a rift between them. No, it was all their own fault. They couldn't get over certain ideas, so they ignored each other like they ignored those ideas.

Viggo Mortensen.
Overall, I enjoyed it and thought the performances were all phenomenal. I think they all should've gotten nominated, like Viggo Mortensen has said. The only person I didn't like was Vincent Cassel and that's because his character was a despicable person aptly named Otto Gross. The only actor I thought wasn't performing was Sarah Gadon who played Jung's wife, Emma Jung. Was their relationship really that unpassionate? I'm ill-informed about these people so I can't really judge her performance alongside Mr. Fassbender, but she also seemed unfeeling and aloof as far as her family was concerned as well. I know back then they didn't show their feelings or affection as much as people do now, but even in the privacy of her own home she seemed very distant from everything. I just don't know enough to say for sure.

Also, a side note: I imagine doctors having illicit affairs with their patients probably wasn't as improbable as they make it seem in the film, although very damaging to a career if you want to be taken seriously. It probably happened a lot and still does to a certain degree.

Script available here: http://www.sonyclassics.com/awards-information/screenplays/adangerousmethod_screenplay.pdf.

Favorite Lines:


Sabina Spielrein: [to Jung] I want you to punish me. 

Carl Jung: Sometimes you have to do something unforgivable... just to be able to go on living. 

Sigmund Freud: Experiences like this, however painful, are necessary and inevitable; without them, how can we know life? 

Otto Gross: It seems to me the measure of the true perversity of the human race, that one of its very few reliably pleasurable activities should be the subject of so much hysteria and repression. 


Thursday, September 6, 2012

"Marvin's Room" Movie Review

"Marvin's Room" movie poster.

"Estranged since their father's first stroke some 17 years earlier, Lee (Meryl Streep) and Bessie (Diane Keaton) lead separate lives in separate states. Lee's son, Hank (Leonardo DiCaprio), finds himself committed to a mental institution after setting fire to his mother's house. His younger brother, Charlie (Hal Scardino), seems unfazed by his brother's eccentricities or his mother's seeming disinterest. When Lee comes to the asylum to spring Hank for a week in Florida so that he can be tested as a possible bone marrow donor for Bessie, Hank is incredulous. "I didn't even know you had a sister," he says. "Remember, every Christmas, when I used to say 'Well, looks like Aunt Bessie didn't send us a card again this year?'" "Oh yeah," Hank says. Meanwhile, Marvin (Hume Cronyn), the two women's bedridden father, has "been dying for the past twenty years." "He's doing it real slow so I don't miss anything," Bessie tells Dr. Wally (Robert DeNiro). In Bessie's regular doctor's absence, it has fallen to Dr. Wally to inform Bessie that she has leukemia and will die without a bone marrow transplant. This precipitates the two sisters uneasy reunion. In Marvin's room, Bessie cares for her father's every need. In Lee's eyes, the sacrifice Bessie has made is too great and realizing the old man's welfare will fall to her if Bessie dies, Lee's first instinct is to look for a nursing home. "In a few month's, I'll have my cosmotology degree," she says. "My life is just coming together; I'm not going to give it all up, now!" As first Lee is tested and then the boys for the compatibility of their marrow with Bessie's, the women take stock of their lives and rediscover the meaning of 'family.' " Written by Mark Fleetwood (Link below.)

I found this movie to be enjoyable. It's kind of cute, but it has a lot of cliches in it: there was the unfeeling mother, the self-sacrificial sister, the bad boy, that crazy aunt whose breathing machine causes the garage door to open at odd times.

Diane Keaton (L) and
Leonardo DiCaprio.
I actually think it's a shame Mr. DeNiro was in this, because the role was very small. It was important but I can't believe an A-list actor did it. Mr. DiCaprio's part was cool - he actually did burn down a house, so he's actually a really bad boy! Mr. Scardino's part was a bummer though. He was practically a non-entity. They seriously could have cut him from the movie, it wouldn't have made much of a difference. Both Ms. Streep and Ms. Keaton acted their asses off in this film. They are always awesome to watch.

I know that this movie was up for an Academy award - Diane Keaton for 'Best Actress in a Leading Role' - and a whole slew of other awards but that only makes me think it might've been a slow year. Leonardo DiCaprio won a Chlotrudis Award for 'Best Supporting Actor', quite possibly the ugliest award statuette I've ever seen!

The print is small but the script is available here: http://www.script-o-rama.com/movie_scripts/m/marvins-room-script-transcript-dicaprio.html.

Meryl Streep (L) and Leonardo DiCaprio.
It was an okay movie. I don't think I would watch it again. If it weren't for the big-name actors this would've been a made-for-tv movie. I give it 3 stars.

Favorite Lines:

Lee: Are you behaving yourself? 
Hank: Well, they're not strapping me down anymore.

Lee: We're going to see your Aunt Bessie in Florida. She's not feeling so well. 
Hank: I didn't even knew I had an Aunt Bessie. 
Lee: She came to the house right after your Dad and I were married. 
Hank: I wasn't even born yet. 
Lee: Oh. 

Lee: Don't waste your time trying to make friends with him. We're only going to be here a few days.

Lee: [to her son] My feelings for you, Hank, are like a big bowl of - 
[sighs] 
Lee: fish hooks. I can't just pick up one up at a time. I pick one up and they all come, so I just had to leave 'em alone.